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Hearst Museum object titled Belt, accession number 3-29945, described as Backstap-loomed, warp-faced plain weave; single and two-faced supp. weft brocading one piece; ends cut and uncut, braided into two tassels at each end; cut warps at one end are also knotted together. Native name and meaning: Faja/Belt, Mujer/Woman's. Materials, techniques: Acrylic two, 2-ply red, green and yellow, and four, 2-ply red. Acrylic supp. weft brocading in three, 2-ply white, fuchsia, bright pink and orange; four 2-ply in turquoise, green, coral, purple, orange and royal blue; cotton or rayon. Context of use: Collected by Linda Green during UREP expedition in 1991. Woven by Isabel Quitz between July-November 1991. Predominately red with yellow and green stripes; multicolored single and two-faced supp. weft brocading. Two tassels at each end of the faja, created by braiding warps together. Brocading done at each end of faja, while the center portion left undecorated. One end of faja has double motif in each register (i.e. two birds/register), while the other end of faja has single motif/register. The single motifs are bordered on each side with smaller geometric figures (similar to "snowflakes"). Birds and geometric iconography.
Hearst Museum object titled Corte, accession number 3-30010, described as Treadle-loomed, weft-faced plain weave; cut warps, one piece (un-sewn). 549 cm x 91.5 cm. Acrylic or wool: singles in black, yellow, orange. Cotton: singles in Jaspeado black/white and black/yellow; Acrylic or wool: two-ply in fuchsia, green, brown, gold, turquoise, yellow and purple. Bought at San Martin Jilotepeque market; woven by men on treadle looms in Salcaja, Quezaltenango. These cortes are worn by women all over the Highlands. Yellow and orange warp yarns at each selvage may be weaver's mark. This corte is part of a woman's complete traje for this town, and is an everyday corte.
Hearst Museum object titled Hairband, accession number 3-29943, described as Cinta de Pelo, mujer: Hair ornament, woman's. Bankstrap loomed, warp-faced plain weave, single-faced supplementary weft brocading, one piece. Ends machine and hand-stitched, five tassels at each end. 376 x 50.5 cm. Cotton, 3 singles in red, cotton 2 two-ply in brown, maroon, purple, fuchsia, yellow, white, turquoise, green, dark and light orange, red, coral. Supplementary weft in cotton 4 two-ply yellow, purple, violet, dark green, white, turquoise, orange, coral, maroon, red. Silk or rayon 6 two-ply off-white, violet, turquoise, dark green. Iconography is geometric, stripes, diamonds and abstract forms. Warp-striped textile with single-faced supplementary weft brocading at each end, five tassels inserted through textile at each end, where textile has been folded back onto itself and sewn down, forming a point. Fancy tassels are 113/8" long, consisting of a stiff wrapped "stem" with a pom pom attached at the end. Each pompom composed mostly of thick 3-ply monochrome acrylic yarn, intermixed with finer plied multicolored yarns (cotton?).  Very good condition.
Hearst Museum object titled Hair piece, accession number 3-30012, described as Listo, woman's hair piece.Commercially woven cloth; balanced plain weave; warp ends cut; side selvages machine-finished. 396 cm x 16.5 cm. Possibly acetate: 24 singles in blue; 32 singes in blue. Women in Chimaltenango and Solola use these intertwined in their hair braids.
Hearst Museum object titled Huipil, accession number 3-30005, described as Backstrap-loomed, warp-faced plain weave, two pieces joined with randa, loom-finished, head hole cut out and finished with lavish embroidery.
Hearst Museum object titled Huipil, accession number 3-30007, described as Backstrap-loomed, plain weave; single and two-faced supp. weft brocading; two pieces joined with hand stitching. One end has cut warps that are hand hemmed; other warp end is loom-finished. Head hole is slit. 56 cm x 77.5 cm. Cotton: 2 ply in black; Mercerized cotton: 3 two-ply in pink magenta, purple, green, yellow, white, red and blue. Supp. weft is densely woven throughout piece, woven in geometric iconography. Band of plain black cotton at bottom (ground fabric).
Hearst Museum object titled Huipil, accession number 3-30008, described as Backstrap-loomed, warp-faced plain weave; single-faced supp. weft brocading; two pieces, joined with hand stitching; ends loom-finished; slit head hole. 64.5 cm x 87.5 cm. Cotton: 2 two-ply white. 2 two-ply in green, black and purple. Woven by Isabel Quitz of Tecpan for sale in San Martin Jilotepeque and locally in Tecpan. Part of a woman's complete traje from this town.
Hearst Museum object titled Huipil, accession number 3-30006, described as Backstrap-loomed, warp-faced plain weave; single-faced supporting weft brocading; two pieces joined with hand stitching; one end loom-finished, other end has warps cut and hand hemmed; head hole slit unfinished. 38 cm x 58.5 cm. Cotton: 1 two-ply in black. Mercerized cotton: 3 two-ply in brown, green, aqua, maroon, orange, purple, white, red, light and dark pink, light and dark green, light and dark blue, yellow and lavender. This chi'd's huipil is unfinished; the head hole slit has not been opened. Rows of multicolored supporting weft brocading are evenly spaced throughout the whole piece Iconography consists of geometric motifs.
Hearst Museum object titled Huipil, cofradía, accession number 3-30009, described as Backstrap-loomed, warp-faced plain weave; two-faced supp. weft brocading; three lienzos joined by machine-stitching; head hole not cut out and sides left open; ends loom finished. 132 cm x 72 cm. Cotton: 2 and 4 singles in brown. Cotton floss (sedalina?) : 2-ply in white, green, brick and royal blue. Ceremonial huipil from Tecpan. Hand spun brown cotton thread. Weaver was Isabel Quitz who made it for sale to local women Fall 1989. Iconography consists of birds and geometric designs.
Hearst Museum object titled Huipil lienzo, accession number 3-29944b, described as Backstrap-loomed, warp-faced plain weave; single-faced supp. weft brocading; two-lienzos (not joined together). loom finished. 119.4 cm x 43 cm. Native name: Huipil/Woman's blouse. Materials, techniques: Cotton two, 2-ply white (predominant), red and black. Rayon or silk supp. west two, 2-ply in orange, red, green, pink, blue, purple, violet and black. Context of use: Collected by Linda Green during UREP expedition in 1991. Woven by Isabel Quitz between July-November 1991. Two lienzos, that is joined, would form a huipil. Each lienzo is decorated with single-faced supp. weft brocading, although many of the supp. wefts have been brought through to the wrong side and tied off. Many supp. wefts have also been left hanging off the selvages as well. Iconography consists of registers done in chevron and zig-zag patterns interspersed with small black "dots".