Collection place: Central Italy / Donor: Phoebe Apperson Hearst - Hearst Museum Portal Search Results

Start Over Collection place Central Italy Donor Phoebe Apperson Hearst

Hearst Museum object titled Alabastron, accession number 8-521, described as Long alabastron

Hearst Museum object titled Altar miniature, accession number 8-2355, described as Terracotta, small alter (?) open at bottom, on projecting base. On front face it beats relief scene of swan- like bird who flies with outstretched wing to right with human figure on his back. Figure probably woman, wears long garment and seems to hold veil Tan; coarse, thick fabric.

Hearst Museum object titled Amphora, accession number 8-1567, described as Big red amphora. Description from Matteucig (1951): Jar; height: 37.5 cm; diameter: 31.5 cm (see Matteucig's plate VI, 2). Impasto type D. Clay, slip, and paint as in 8-1564, 8-1565, 8-1566. Low neck with slightly flaring lip; ovoid body on low, hollow foot; vertical handles. Slip badly faded; also decoration: geometric design reconstructed in figure 12. Vase is a restoration from several pieces; many cracks. For an interesting example, somewhat similar in shape, but in reversed technique (white on red), cf. the vase from south Etruria in C.V.A., British Museum, fasc. 7, IV B, a, pl. 9, 1; see also C.W.A., Scheurleer, fasc. 1, IV B, pl. 1, no. 1.

Hearst Museum object titled Amphora, accession number 8-1863, described as Etrusco-Corinthian amphora. Attributed to the Monte Abatone Painter; ca. 630 BCE. Description from Matteucig (1951): Amphora; height: 28.5 cm; diameter: 22 cm (see Matteucig's plate XIX, 19). Italo-Corinthian. Clay pinkish cream; cream slip; dark brown, red, and gray paint. High neck with thick curving lip; strap handles; squat ovoid body on low flat base. Inside mouth, for about 3 cm, brown band; three incised lines on lip; neck solid brown, with a line of cream dots just above fillet; on edges of handles, brown vertical stripes; on flat side of handles, at point of contact with lip and shoulder, three horizontal stripes; on shoulder, three groups of seven to ten tongues; below tongues, anar row red band, a reserved line, then a red and gray band; broad brown band with double incised, interlaced, semicircles; anar row gray band; a broader red one and a narrow reserved; another broad red band; broad reserved zone; bottom solid brown. Vase restored from several pieces; surface, scratched; paint peeling off. For similar examples, cf. Not. Sc., 1903, p. 272, fig. 5, from Pitigliano; J. Boehlau, Aus ionischen und italischen Nekropolen, Leipzig, 1898, p. 92, fig. 47; G. H. Karo, De arte vascularia, Bonn, 1896, p. 37, no. 3; Not. Sc., 1930, p. 129, fig. 16, from Tarquinia; Mingazzini, Pl. XXIII, 8.