Terminal bust (reproduction)

Museum number:
21-36
Permalink:
ark:/21549/hm21210000036
Alternate number:
8-5036 (previous museum number (recataloged from)) and CC 007 (Classics Department Number)
Accession number:
Acc.193
Description:
Cast of terminal bust of Perikles, of certain identity, guaranteed by the antique inscription of a counterpart herma in the British Museum. Compare Visconti’s Iconographic greique plate 15. The signature, by Kresilas of Crete, of a portrait of P. on the Akropolis, is extant. Modern opinion sees copies of Kresilas’s work in the Vatican and London busts. Compare Furtwaengler’s Kresilas in his Masterpieces of Greek sculpture.
Donor:
Alfred Emerson
Collection place:
Formatore Leopoldo Malpieri, Rome, Lazio
Verbatim coll. place:
Leopoldo Malpieri, Rome
Maker or artist:
Leopoldo Malpieri
Collector:
Alfred Emerson
Collection date:
ca. 1904
Person depicted:
Pericles/Perikles (Greek deity)
Object type:
archaeology
Object class:
Busts (sculpture)
Accession date:
1905
Department:
Casts and molds
Loans:
S2005-2006 #3: Department of Classics (UC Berkeley)/Stephen G. Miller (September 23, 2005–September 23, 2006) and S2009-2010 #12 [DEFUNCT]: Academy of Art University (dates unknown)
Images:
Hearst Museum object titled Terminal bust (reproduction), accession number 21-36, described as Cast of terminal bust of Perikles, of certain identity, guaranteed by the antique inscription of a counterpart herma in the British Museum. Compare Visconti’s Iconographic greique plate 15. The signature, by Kresilas of Crete, of a portrait of P. on the Akropolis, is extant. Modern opinion sees copies of Kresilas’s work in the Vatican and London busts. Compare Furtwaengler’s Kresilas in his Masterpieces of Greek sculpture.
Legacy documentation:
Documentation associated with Hearst Museum object titled Terminal bust (reproduction), accession number 21-36, described as Cast of terminal bust of Perikles, of certain identity, guaranteed by the antique inscription of a counterpart herma in the British Museum. Compare Visconti’s Iconographic greique plate 15. The signature, by Kresilas of Crete, of a portrait of P. on the Akropolis, is extant. Modern opinion sees copies of Kresilas’s work in the Vatican and London busts. Compare Furtwaengler’s Kresilas in his Masterpieces of Greek sculpture.Documentation associated with Hearst Museum object titled Terminal bust (reproduction), accession number 21-36, described as Cast of terminal bust of Perikles, of certain identity, guaranteed by the antique inscription of a counterpart herma in the British Museum. Compare Visconti’s Iconographic greique plate 15. The signature, by Kresilas of Crete, of a portrait of P. on the Akropolis, is extant. Modern opinion sees copies of Kresilas’s work in the Vatican and London busts. Compare Furtwaengler’s Kresilas in his Masterpieces of Greek sculpture.Documentation associated with Hearst Museum object titled Terminal bust (reproduction), accession number 21-36, described as Cast of terminal bust of Perikles, of certain identity, guaranteed by the antique inscription of a counterpart herma in the British Museum. Compare Visconti’s Iconographic greique plate 15. The signature, by Kresilas of Crete, of a portrait of P. on the Akropolis, is extant. Modern opinion sees copies of Kresilas’s work in the Vatican and London busts. Compare Furtwaengler’s Kresilas in his Masterpieces of Greek sculpture.Documentation associated with Hearst Museum object titled Terminal bust (reproduction), accession number 21-36, described as Cast of terminal bust of Perikles, of certain identity, guaranteed by the antique inscription of a counterpart herma in the British Museum. Compare Visconti’s Iconographic greique plate 15. The signature, by Kresilas of Crete, of a portrait of P. on the Akropolis, is extant. Modern opinion sees copies of Kresilas’s work in the Vatican and London busts. Compare Furtwaengler’s Kresilas in his Masterpieces of Greek sculpture.

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