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Hearst Museum object titled Anthropomoric figurine, accession number 2-69111, described as Holder for beer can opener, anthropomorphic; painted black figure of man, presumably a Black minstrel singer; turned wood top hat, round face; iron rod body with magnetic holder at waist resembling a banjo; turned wood base stamped “Ideal Japan”

Image Missing: Hearst Museum object titled Ashtray, accession number 2-71296, described as Ashtray; bronzed-faced copper ashtray in shape of state of Arizona; cowboy, Indian, cactus and wildlife motifs in repousse-like technique around edge, “ Arizona” soldered on in center; “made in Japan” on back; 15 x 12.4 cm.

Hearst Museum object titled Bead, accession number 9-21235a-e, described as A: bundled strings of dark blue, green, and gold and silver colored beads. b: bundled strings of silver/white beads. C: bundled strings of mauve beads. D: bundled strings of turquoise-colored beads. E: bundled strings of iridescent light blue and gold and silver-colored beads.

Hearst Museum object titled Buddha, accession number 9-136, described as Wooden statue of Buddha standing. Flesh black, rest gilt.

Hearst Museum object titled Cup, accession number 9-23477, described as Colored decal of a deity riding on a unicorn attended by two servants. Foot: Kiln mark in red is a flower with a five-pointed star at center.

Hearst Museum object titled Netsuke, accession number 9-7931, described as Netsuke: barefoot bald man holding a staff with rings in his right hand, an open fan in his left. 4.9 cm. ••According to the donor's catalog: "Netsuke in ivory of a man, standing. He is bald-robed—and-bare-footed. In his right hand he holds a shakujo (a staff with rings) and in his left an open large fan—which semi-conceals his face—which is smiling. This Daimon was the original ventriloquist. The Nanuta Bushi (orginally Fushi, meaning musical) is the ventriloquist evolution from Fushi—meaning musical— Nanuta, the old name for Osaka in distinction from Edo Bushi (Tokyo) the rural school of ventriloquists. The Buddhist priests used to carry a shakujo to warn the insects on their paths against being crushed by their bare feet—the feet bare also to lessen the danger to the insects. The ventriloquist shakes his shakujo to warn his audience of the approaching joke and laughs behind his fan—for the approaching joke, it being considered by the Japanese bad taste to laugh openly, in the face of someone else. It also is considered bad taste ever to point with the finger—it must be done with some object held in the hand (like a pen). Notice: Image restricted due to its potentially sensitive nature. Contact Museum to request access.

Hearst Museum object titled Netsuke, accession number 9-7489, described as Netsuke: man with mouth opened wide, huge teeth. Robe decorated with green and red circles. Carries staff. Depicts Ranryo dancer wearing mask. Notice: Image restricted due to its potentially sensitive nature. Contact Museum to request access.

Hearst Museum object titled Netsuke, accession number 9-7484, described as Netsuke: puppy with head between his paws. Wears ribbon collar. Notice: Image restricted due to its potentially sensitive nature. Contact Museum to request access.

Hearst Museum object titled Netsuke, accession number 9-7473, described as Netsuke: standing, robed figure of man with incense box in left hand. Right hand raised. Figure wearing court dress. Notice: Image restricted due to its potentially sensitive nature. Contact Museum to request access.

Hearst Museum object titled Anthropomoric figurine, accession number 2-69111, described as Holder for beer can opener, anthropomorphic; painted black figure of man, presumably a Black minstrel singer; turned wood top hat, round face; iron rod body with magnetic holder at waist resembling a banjo; turned wood base stamped “Ideal Japan”

Anthropomoric figurine

1 of 14

Ashtray

2 of 14

Hearst Museum object titled Bead, accession number 9-21235a-e, described as A: bundled strings of dark blue, green, and gold and silver colored beads. b: bundled strings of silver/white beads. C: bundled strings of mauve beads. D: bundled strings of turquoise-colored beads. E: bundled strings of iridescent light blue and gold and silver-colored beads.

Bead

3 of 14

Hearst Museum object titled Buddha, accession number 9-136, described as Wooden statue of Buddha standing. Flesh black, rest gilt.

Buddha

4 of 14

Hearst Museum object titled Cup, accession number 9-23477, described as Colored decal of a deity riding on a unicorn attended by two servants. Foot: Kiln mark in red is a flower with a five-pointed star at center.

Cup

5 of 14

Hearst Museum object titled Netsuke, accession number 9-7931, described as Netsuke: barefoot bald man holding a staff with rings in his right hand, an open fan in his left. 4.9 cm. ••According to the donor's catalog: "Netsuke in ivory of a man, standing. He is bald-robed—and-bare-footed. In his right hand he holds a shakujo (a staff with rings) and in his left an open large fan—which semi-conceals his face—which is smiling. This Daimon was the original ventriloquist. The Nanuta Bushi (orginally Fushi, meaning musical) is the ventriloquist evolution from Fushi—meaning musical— Nanuta, the old name for Osaka in distinction from Edo Bushi (Tokyo) the rural school of ventriloquists. The Buddhist priests used to carry a shakujo to warn the insects on their paths against being crushed by their bare feet—the feet bare also to lessen the danger to the insects. The ventriloquist shakes his shakujo to warn his audience of the approaching joke and laughs behind his fan—for the approaching joke, it being considered by the Japanese bad taste to laugh openly, in the face of someone else. It also is considered bad taste ever to point with the finger—it must be done with some object held in the hand (like a pen). Notice: Image restricted due to its potentially sensitive nature. Contact Museum to request access.

Netsuke

6 of 14

Netsuke

7 of 14

Hearst Museum object titled Netsuke, accession number 9-7489, described as Netsuke: man with mouth opened wide, huge teeth. Robe decorated with green and red circles. Carries staff. Depicts Ranryo dancer wearing mask. Notice: Image restricted due to its potentially sensitive nature. Contact Museum to request access.

Netsuke

8 of 14

Hearst Museum object titled Netsuke, accession number 9-7484, described as Netsuke: puppy with head between his paws. Wears ribbon collar. Notice: Image restricted due to its potentially sensitive nature. Contact Museum to request access.

Netsuke

9 of 14

Hearst Museum object titled Netsuke, accession number 9-7473, described as Netsuke: standing, robed figure of man with incense box in left hand. Right hand raised. Figure wearing court dress. Notice: Image restricted due to its potentially sensitive nature. Contact Museum to request access.

Netsuke

10 of 14

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Netsuke7 objects
Anthropomoric figurine1 objects
Ashtray1 objects
Bead1 objects
Buddha1 objects
Cup1 objects
Stoneware fragment1 objects
Tray1 objects

Sculpture (visual works)7 objects
Netsukes6 objects
Sculpture by function6 objects
Containers (receptacles)3 objects
Anthropomorphic1 objects
Ashtrays1 objects
Beads (pierced objects)1 objects
Ceramic ware (visual works)1 objects
Containers for personal use1 objects
Containers for serving and consuming food1 objects

more Object class »

ethnography13 objects
archaeology1 objects

image13 objects
legacy documentation11 objects
3D7 objects

Asia10 objects
East Asia9 objects
Japan8 objects
North America4 objects
The Americas4 objects
United States4 objects
California2 objects
San Francisco Bay Area, California2 objects
Antakya, Mediterranean region, Turkey1 objects
Arizona1 objects

more Collection place »

View distribution

Current results range from 1903 to 2002

Year collected range begin Year collected range end

[Missing]6 objects

Geraldine C. Robson7 objects
Alfreda Murck1 objects
Mary C. Stoddard1 objects
Paul Frank Ziegelmaier1 objects

Estate of Geraldine C. and Kernan Robson7 objects
Alfred L. Kroeber1 objects
Alfreda Murck1 objects
Alice Elizabeth Fitzhugh1 objects
Barbara E. Busch1 objects
City and County of San Francisco, Waste Water Management Program1 objects
Mary C. Stoddard1 objects
Paul Frank Ziegelmaier1 objects

Asian cultures9 objects
East Asian cultures9 objects
Japanese8 objects
Japanese cultures8 objects
American cultures2 objects
North American cultures2 objects
North American historic cultures2 objects
United States Historic2 objects
Chinese1 objects
Chinese cultures1 objects

Ivory (material)6 objects
Wood (plant material)3 objects
Bakelite™1 objects
Ceramic (material)1 objects
Glass (material) (glass beads, thread.)1 objects

Acc.23847 objects
Acc.100BBB1 objects
Acc.36051 objects
Acc.40751 objects
Acc.41901 objects
Acc.44411 objects
Acc.46841 objects
Acc.47961 objects

JapanRemove constraint Production place: Japan14 objects
Czechoslovakia (historical political entity)1 objects
Italy1 objects

View distribution

Current results range from 1914 to 2016

Accession year range begin Accession year range end

[Missing]4 objects

2.2 Personal Adornments and Accoutrements7 objects
1.5 Household3 objects
5.1 Religion and Divination: Objects and garb associated with practices reflecting submission, devotion, obedience, and service to supernatural agencies1 objects
5.5 Stimulants, Narcotics, and Accessories1 objects

S1975-1976 #83: Chancellor's House (May 19, 1976–July 10, 1990)4 objects
S1968-1969 #4: University of California, Berkeley (July 2, 1968–May 3, 1973)3 objects
S1970-1971 #60: Decorative Arts Department (UC Berkeley) (December 7, 1970–December 11, 1970)2 objects
S1966-1967 #39: Kanmo Imamura (December 2, 1966–August 3, 1967)1 objects

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