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Hearst Museum object titled Basket, accession number 9-12855, described as Winnowing basket; wickerweave, trough-shaped; peeled shoots, arrowroot skins and cotton string; l. 72.5 cm. Grain winnower. The upcurved end of the proximal end.
Hearst Museum object titled Cat skin, accession number 5-1895c, no description available.
Hearst Museum object titled Damaru, accession number 9-22066, described as This is a damaru, a small hand-held drum used in ritual and meditation practices. It is held in the right hand and the wrist is rotated back and forth so that the turquoise strikers rapidly beat the two drum skins. At the same time, the ritual bell (ghanta) is often rung by the left hand. The most typical use of these is as a musical offering to whichever deities are being addressed in the ritual. See also T-159.
Hearst Museum object titled Damaru, accession number 9-22050, described as This is an elaborate version of the damaru T-158. Human skull bones are used for the body of the drum. The skin may be human. The damaru is a small hand-held drum used in ritual and meditation practices. It is held in the right hand and the wrist is rotated back and forth so that the turquoise strikers rapidly beat the two drum skins. At the same time, the ritual bell (ghanta) is often rung by the left hand. The most typical use of these is as a musical offering to whichever deities are being addressed in the ritual. See also T-158.
Hearst Museum object titled Skirt, accession number 5-14366, described as Skirt. Triangular piece of cowhide decorated with varicolored glass beads. Thong tie. Length down center is 107 centimeters. Context of use: married woman's skirt.
Hearst Museum object titled Thighbone trumpet, accession number 9-22054, described as This is a ritual trumpet fashioned from a human thigh bone. It has a metal mouth piece made of silver andcopper. It is wrapped at the bottom with skin, perhaps human skin or  leather.  It is used extensively in the popular "Chod" ritual. It functions, when blown in the ritual context by a qualified yogin, to summon all living beings, including every manner of ghost and goblin, to a great feast. In the Chod ritual, the thighbone trumpet is blown at the beginning and occasionally during the procedure, and the yogin then puts it down and serves up the feast while chanting melodiously and play the large hand drum (Chod damaru) with his right hand and the ghanta bell with his left. The use of human bone is necessary as the yogin is ritually transforming his own flesh and blood into offerings suitable for the various classes of living beings. See: T-26, T-27,  T-195
Hearst Museum object titled Thighbone trumpet, accession number 9-22052, described as This is a ritual trumpet fashioned from a human thigh bone. It is wrapped at the bottom with skin, perhaps human skin or  leather.  It is used extensively in the popular "Chod" ritual. It functions, when blown in the ritual context by a qualified yogin, to summon all living beings, including every manner of ghost and goblin, to a great feast. In the Chod ritual, the thighbone trumpet is blown at the beginning and occasionally during the procedure, and the yogin then puts it down and serves up the feast while chanting melodiously and play the large hand drum (Chod damaru) with his right hand and the ghanta bell with his left. The use of human bone is necessary as the yogin is ritually transforming his own flesh and blood into offerings suitable for the various classes of living beings. See: T-26, T-27,  T-195