Materials: Cotton (textile) / Accession year: [Missing] / Function: 2.2 Personal Adornments and Accoutrements - Hearst Museum Portal Search Results

Start Over Materials Cotton (textile) Accession year [Missing] Function 2.2 Personal Adornments and Accoutrements

Hearst Museum object titled Bag, accession number 9-22545, described as beaded bag; white background with bands of blue and green; red at top and bottom; two rows of flowers at center in red, pink, yellow and green; seven sided star at center bottom in red, yellow, pink and blue; red drawstrings at top with tassels and beads.

Hearst Museum object titled Bag, accession number 9-22569, described as decorated bag; purple silk bag with round bottom and drawstring closure of gold cord. bottom half of bag is made of a heavily embroidered gold "cap" with round base and straight sides. design made up of alternating bands and floral-like embroidery in a black or dark purple ground. opening edge finished with "handkerchief points" (3).

Hearst Museum object titled Bag, accession number 3-29284, described as Bag; white cotton cloth with cross stitch embroidery in stylized floral and geometric design using bright multi-colored cotton thread; cloth handle; 26.0 cm. x 19.0 cm.

Hearst Museum object titled Belt, accession number 3-29945, described as Backstap-loomed, warp-faced plain weave; single and two-faced supp. weft brocading one piece; ends cut and uncut, braided into two tassels at each end; cut warps at one end are also knotted together. Native name and meaning: Faja/Belt, Mujer/Woman's. Materials, techniques: Acrylic two, 2-ply red, green and yellow, and four, 2-ply red. Acrylic supp. weft brocading in three, 2-ply white, fuchsia, bright pink and orange; four 2-ply in turquoise, green, coral, purple, orange and royal blue; cotton or rayon. Context of use: Collected by Linda Green during UREP expedition in 1991. Woven by Isabel Quitz between July-November 1991. Predominately red with yellow and green stripes; multicolored single and two-faced supp. weft brocading. Two tassels at each end of the faja, created by braiding warps together. Brocading done at each end of faja, while the center portion left undecorated. One end of faja has double motif in each register (i.e. two birds/register), while the other end of faja has single motif/register. The single motifs are bordered on each side with smaller geometric figures (similar to "snowflakes"). Birds and geometric iconography.

Hearst Museum object titled Belt, accession number 3-27784, described as Belt with pouches; series of 9 small pouches in white cotton gauze-like fabric with blue cross-stitch embroidery in vertical designs; pendant red yarn tassels from the basal corners; all tops sewn closed; width not including ties 71.5 cm.

Hearst Museum object titled Fan, accession number 5-15496, described as fan, wood, handcarved (for Eshu); squatting female human figure atop round fan with incised geometric design, one side only; brown wood, well polished from usage; cotton twine string carrying handle at proximal end; L 29.3 cm X Dia (fan) 12.5 cm.

Hearst Museum object titled Hairband, accession number 3-29943, described as Cinta de Pelo, mujer: Hair ornament, woman's. Bankstrap loomed, warp-faced plain weave, single-faced supplementary weft brocading, one piece. Ends machine and hand-stitched, five tassels at each end. 376 x 50.5 cm. Cotton, 3 singles in red, cotton 2 two-ply in brown, maroon, purple, fuchsia, yellow, white, turquoise, green, dark and light orange, red, coral. Supplementary weft in cotton 4 two-ply yellow, purple, violet, dark green, white, turquoise, orange, coral, maroon, red. Silk or rayon 6 two-ply off-white, violet, turquoise, dark green. Iconography is geometric, stripes, diamonds and abstract forms. Warp-striped textile with single-faced supplementary weft brocading at each end, five tassels inserted through textile at each end, where textile has been folded back onto itself and sewn down, forming a point. Fancy tassels are 113/8" long, consisting of a stiff wrapped "stem" with a pom pom attached at the end. Each pompom composed mostly of thick 3-ply monochrome acrylic yarn, intermixed with finer plied multicolored yarns (cotton?). Very good condition.

Hearst Museum object titled Hat, accession number 18-1769, described as Chinese man's black satin brimless cap. Black satin , red pompom on top. Lined with red cotton fabric.

Hearst Museum object titled Huipil, accession number 3-29583, described as Backstrap-loomed; balanced plain weave; single-faced supplemental weft brocading; two lienzos; end-selvedges loom-finished; joined center back and front with loose whip stitch. Uncut head opening. Huipil/blouse. Materials, techniques: Cotton; 3 singles in white; 6 singles in soft red, dark green and dark yellow; 2 two-ply in eggplant purple. Context of use: Collected and donated by Mrs. Esther Bevan, in the name of Imgaard and Jean Johnson. Red may be Alizarin dye, used in the 1930s (M. Schevill) and yellow dye the "old yellow" (de Geng). Iconography is geometric. Cloth label sewn inside onto right back panel, with "PHL A61" written in ink on it. Conservation: Original ground fabric probably once white, now yellowed with age. Good condition. Some spots, stains and supplemental weft brocading coming out in places.

Hearst Museum object titled Inro, accession number 9-18784, described as Inro, oval, iron; in form of fire making kit; hinged halves with press latch on exterior; strinking [sic. striking] mechanism and cotton tinder inside; embossed brass (?) design of bird at bottom; buckskin cord suspended from ring at top, bunched together with striped ceramic ojime bead; L 4.6 cm X H 3.9 cm X W 2.5 cm