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Image Missing: Hearst Museum object titled Container, netsuke and bead, accession number 9-12546, described as Inro, netsuke and ojime: Inro (a) is a lacquer box of 5 nesting sections. Top and bottom: side oval shape. Raised cord guides. Brown braided silk cord tied at bottom w/ double loop. Elaborate detailed depiction of a ferry full of various types of people, half portrayed on one side, continuous w/ other. 2 small boats beside it w/ men fishing. High seas. All portrayed by gold and silver sprinkles (maki-e) on black ground. Netsuke (b) is carved ivory representing a Buddhist angel (tennin) flying, holding lotus blossom. Scroll work and crosshatch textile patterns on the flowing robes. Hair and eyes painted black. Ojime (c) is a white ivory bead inlaid w/ mother of pearl, tortoise shell, coral and white shell depicting vines, butterfly and wisteria blossoms, W/ incised and painted detail. (a) The entire decoration of the exterior of the inro is made by the Togidashi technique w/ resultant flat, smooth surface. The gold powder is sprinkled over the wet lacquer design on the red base (e-rushi), in various densities and partical sizes to suit the design. An overcoat of black lacquer (kuro-urushi) is than [then] applied and ground down when dry to reveal the gold design, the black forming part of the design and the 'ground' for the metal particles. The boats, faces, and some of the clothing of the passengers are formed by very fine, dense sprinkling of gold powder, some of silver. Black detail. The waves are formed by lines of dense particles of gold, and a less dense, cloudy, uneven sprinkle between. (maki-bokashi). The top and bottom are plain, even dense covering of sprinkled gold (fundame). The surface is worn in places showing the red base. Many small dents, and scratches. The interior entirely decorated w/ nashiji ("pear ground"): coarse particles of gold sprinkled on wet lacquer; covered by black lacquer; ground and polished down and covered by a red tinted transparent lacquer. Cord is broken. (c) Two of the white-shell (?), inlaid leaves have fallen out and are missing. L. (a) 8.7cm.; (b) 4.5cm. Dia. (c) 2cm.
Hearst Museum object titled Necklace, accession number 9-22500, described as necklace made of metallic yarns with 1.5cm long coral cylinder at center; on either side of coral cylinder is 6.5cm of decorative gold, metallic yarns wrapped and woven to imitate cylinder shape; red tassle at end of necklace. coral is associated with Mars and the god of war, it is popularly used in protective amulets, especially by women and children against the evil eye.  this necklace, with thick cylinder in the middle, resemble protective amulets.  the material is metallic yarn (zari), often used in theatrical costumes.
Hearst Museum object titled Necklace, accession number 9-22503, described as necklace made of metallic, gold yarns, 2 brown, rudraksha beads, 2 coral beads and one cylindrical, black stone; series at mid-necklace is: woven, metallic, cone shaped yarn, 1 rudraksha bead, 1 coral bead, 1 black stone, 1 coral bead, 1 rudraksha bead, woven, metallic, cone shaped yarn; series is ~11.0cm; each separated by gold, metallic yarns woven to create bead shape; red tassle attached at end of necklace.  coral is associated with Mars and the god of war, it is popularly used in protective amulets, especially by women and children against the evil eye. the material is metallic yarns (zari), often used in theatrical costumes. rudraksha beads are made from the seeds of small tree (Eleaocarpus ganitrus) unique to Java, often worn by followers of Shiva. this necklace, with thick cylinder in the middle, resemble protective amulets.
Hearst Museum object titled Necklace, accession number 9-22502, described as necklace made of gold metallic yarn; 5 coral beads at middle separated by gold metallic yarns woven to create small, bead shape; red tassle attached to end of necklace. coral is associated with Mars and the god of war, it is popularly used in protective amulets, especially by women and childres against the evil eye.   the material is metallic yarns (zari), often used in theatrical costumes
Hearst Museum object titled Necklace, accession number 9-22498, described as rosary or preayer beads; string of 27 brown, rudraksha beads; each bead has brass, decorative piece on top and bottom, with a red, coral bead in between brass pieces; sequence of necklace is brass, rudraksha bead, brass, coral bead, brass...the last rudraksha bead on string does not have 2nd brass piece. rudraksha beads are made from the seeds of small tree (Eleaocarpus ganitrus) unique to Java.  often worn as necklace by followers of Shiva
Hearst Museum object titled Necklace, accession number 9-22499, described as necklace mad of alternating red and black beads strung on metallic yarn/threads; 20 red beads, appear to be coral, and 20 black painted wooden beads
Hearst Museum object titled Ornament, accession number 9-5602, described as Gilt hair ornament; jade and coral; floral, 3 jade pendants from head of jade bird; length 9.75 in
Hearst Museum object titled Ornament, accession number 9-21874, described as String of precious stones and pearls with clasps at each end, apparently  part of a neckless or other ornament worn by an affluent Tibetan. The string includes  five pearls, two pearl-like stones  one pearl shaped glass bead, four large coral beads and four zi stones.