Object name: Oinochoe / Object class: Vessels (containers) / Collection place: Poggio Buco, Tuscany, Central Italy - Hearst Museum Portal Search Results

Start Over Object name Oinochoe Object class Vessels (containers) Collection place Poggio Buco, Tuscany, Central Italy

Hearst Museum object titled Oinochoe, accession number 8-1848, described as Description from Matteucig (1951): Oinochoe; height: 12 cm; height to top of handle: 14 cm; diameter: 10 cm. (see Matteucig's plate XIX, 3). Italo-Corinthian. Clay white; light cream slip; light brown paint. Mouth, probably trefoil, broken off; low conical neck; squat ovoid body on low flat foot; strap handle. Mouth, brown; on top and at base of neck, a band; a wavy line in the middle; on shoul der three groups of tongue patterns (six tongues in each group); below this, a broad band; another narrow band; band around foot. Paint peeling off. Cf. Not. Sc., 1902, p. 497, fig. i a, no. 19.

Hearst Museum object titled Oinochoe, accession number 8-1693, described as Oinochoe, geometric designs. Description from Matteucig (1951): Oinochoe; height: 18.2 cm; diameter: 10 cm (see Matteucig's plate X, 4). Italo-Geometric. Clay, slip, and paint as in no. 8-1692. Trefoil mouth; high neck; narrow, slightly curved body on flat base; flat handle. Decoration on neck badly faded; it consisted of bands and vertical stripes; the rest can be easily seen in the plate. Cf. Not. Sc., 1902, p. 502, fig. 3 a, no. 9 from Sovana.

Hearst Museum object titled Oinochoe, accession number 8-1788, described as Etrusco-Corinthian oinochoe (pitcher). Description from Matteucig (1951): Olpe; height: 17.8 cm; diameter: 10.5 cm (see Matteucig's plate XVI, 7). Italo-Corinthian. Clay pale buff; cream slip; brown-red paint. Round mouth; flaring lip; high neck with fillet at base; pyriform body on low solid foot; strap handle. Neck and outer part of handle covered with brownish-red paint; on shoulder, tongue pattern; on either side of handle, a cross ornament in cream paint; below this, two zones of double interlaced semicircles with intervening spaces filled by cream dots; above foot, three groups of seven tongues. Most of the paint peeled off; vase badly defaced by mud deposits. Cf. Montelius, pi. 209, no. 17, from Pitigliano; pi. 264, no. i, from Vulci; Robin son, Toronto Vases, PI. XIV, 197.