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Hearst Museum object titled Amulet, accession number 9-22213a-c, described as Silver necklace with coral and silver beads and insets (a). The figure bears a vague likeness to the Chinese Kuan Yin, holding a vase. The characters on the right and left are probably meant to suggest sacred Buddhist Sanskrit (Lantsa) syllables. the central piece with the Kuan Yin is an amulet box. Inside is a paper use as a lining, with a fragment of Chinese and Tibet writing. On the bottom of the inside is a small painting on paper of a twelve armed God or Goddess. The outside is stamped with Chinese writing and bares a lable "Made in China". It is in a red jewelry case (b,c).
Hearst Museum object titled Audience chain, accession number 9-21345, described as “Audience Chain” Four sets of 27 black beads separated by amethyst balls and strung on yellow silk cord constitute the front. Back: navy blue, stiff cord, first cased in embroidered red and white ribbon, then looped through a coin-shaped ring of brass, where they meet the lower double cord that runs through another amethyst ball as a red silk cord. Pendant starting from a third hole in this amethyst ball: three-tiered amethyst slide of decreasing width on red braided cord which runs into a black cotton braided tape (11 cm long), its other end looped through an eye in a filt-bronze plaque holding an oval turquoise. As usual, the tape-ends are secured by winding tri-colored threads around them: white - light blue - navy blue - white. Under the turquoise another black tape (16 cm long). Then a silver(?) wire ring secured by a red cord, a small crystal bead and a tear-drop shaped piece of pink quartz capped by a brass(?) bell-shaped cover. Two shoulder pendants are left on this chain. Strung on blue cords and emanating from coin-shaped rings are ten or nine, respectively, corals, the final pendants a smaller version of the pink crystal chain pendant (here grenadine and emerald, respectively). Overall length of chain: 117 cm.
Hearst Museum object titled Bowls, accession number 9-12724a-f, described as Bowls (a,b); lids (c,d); saucers (e,f); porcelain w/ overglaze enamel decor. Cups have low waist; fairly straight expanding sides and flared out rim. Interior plain, exterior decorated w/ motif common to all pcs.: polychrome enamel floral scrollwork on dark blue ground. Four reserve medallions containing a different character each (longevity, etc.) in gold. Band around rim containing red, blue, yellow key-fret pattern on turquoise ground. Lids (c&d) are flat-bowl shaped w/narrow cylinder finial, w/ same design on upper side. Saucers (e&f) are bowl-shaped w/ slight lobes in rim and deep depressed centers (pedestal) for foot of bowls. Design on upper side. Gilt on rim of all pcs. (a-d) have coral-red reign mark of Kuang hsu (1875-1908). Chips in rim of (a&b). H. (a&b): 6.3cm. Dia. 10.1; H. (c&d) 1.2cm. Dia, 9.3 H. (e&f) 3.4cm. Dia. 11cm.
Hearst Museum object titled Ceremonial canteen, accession number 9-21899, described as Ceremonial canteen, worn at the belt of a Buddhist monk, suspended typically from a Ritual Scepter (see 9-21866) or a pen case (9-21929).The square of silk forms a sleeve for the hands, the canteen itself is a very small  copper bottle, containing perhaps 2 oz. It has a wooden stopper and an elegant silver throat and cap. Cotton cord safeguards the cap and suspends the body of the canteen. At the other end of the cord is a heavy white ball, probably of coral or shell. See: T-128 pict.
Hearst Museum object titled Ceremonial teacup, accession number 9-21948a-c, described as This is a ceremonial tea cup with a silver holder and lid, topped with a coral bead. It is used by aristocrats for tea parties. It is one of a set of two--See T-136. The cup may be of jade, or may be of some other natural substance.
Hearst Museum object titled Ceremonial teacup, accession number 9-21949a-c, described as This is a ceremonial tea cup with a silver holder and lid, topped with a coral bead. It is used by aristocrats for tea parties. It is one of a set of two--See T-135.The cup may be of jade, or may be of some other natural substance.
Image Missing: Hearst Museum object titled Container, netsuke and bead, accession number 9-12546, described as Inro, netsuke and ojime: Inro (a) is a lacquer box of 5 nesting sections. Top and bottom: side oval shape. Raised cord guides. Brown braided silk cord tied at bottom w/ double loop. Elaborate detailed depiction of a ferry full of various types of people, half portrayed on one side, continuous w/ other. 2 small boats beside it w/ men fishing. High seas. All portrayed by gold and silver sprinkles (maki-e) on black ground. Netsuke (b) is carved ivory representing a Buddhist angel (tennin) flying, holding lotus blossom. Scroll work and crosshatch textile patterns on the flowing robes. Hair and eyes painted black. Ojime (c) is a white ivory bead inlaid w/ mother of pearl, tortoise shell, coral and white shell depicting vines, butterfly and wisteria blossoms, W/ incised and painted detail. (a) The entire decoration of the exterior of the inro is made by the Togidashi technique w/ resultant flat, smooth surface. The gold powder is sprinkled over the wet lacquer design on the red base (e-rushi), in various densities and partical sizes to suit the design. An overcoat of black lacquer (kuro-urushi) is than [then] applied and ground down when dry to reveal the gold design, the black forming part of the design and the 'ground' for the metal particles. The boats, faces, and some of the clothing of the passengers are formed by very fine, dense sprinkling of gold powder, some of silver. Black detail. The waves are formed by lines of dense particles of gold, and a less dense, cloudy, uneven sprinkle between. (maki-bokashi). The top and bottom are plain, even dense covering of sprinkled gold (fundame). The surface is worn in places showing the red base. Many small dents, and scratches. The interior entirely decorated w/ nashiji ("pear ground"): coarse particles of gold sprinkled on wet lacquer; covered by black lacquer; ground and polished down and covered by a red tinted transparent lacquer. Cord is broken. (c) Two of the white-shell (?), inlaid leaves have fallen out and are missing. L. (a) 8.7cm.; (b) 4.5cm. Dia. (c) 2cm.
Hearst Museum object titled Coral piece, accession number 9-21322, described as Coral piece. Piece of broken-off coral from an ornament. 2.2 cm long. Fide: Ilse M. Fang, 8/28/2001: Coral in China comes from Tibet, because that was a sea bed.
Hearst Museum object titled Female figurine, with child and dog; with stand, accession number 9-7278a,b, described as a)  figurine; coral; female w/ child & Fo dog; h. 20.75 cm; b)  stand; teakwood, carved; h. 10.25 cm Has mount