Skip to search Skip to main content Skip to first result

Hearst Museum Portal

About
Bookmarks 0
History
Feedback
Login

Search in

Advanced Search Give

Search

Search Constraints

Start Over You searched for: Culture or time period Italic people ✖ Remove constraint Culture or time period: Italic people Maker or artist The Vulci Painter ✖ Remove constraint Maker or artist: The Vulci Painter

1 -to 2 of 2

Object name Museum number

Number of results to display per page

10 per page 20 per page 50 per page 100 per page

View results as:

List view Gallery view Masonry view Slideshow view

Search Results

Hearst Museum object titled Pitcher, accession number 8-1787, described as Etrusco-Corinthian pitcher, white; better preserved, similar to 8-1785. Attributed to the Vulci Painter. Description from Matteucig (1951): Olpe; height: 33 cm; diameter: 16 cm (see Matteucig's plate XVI, 9). Italo-Corinthian. Clay, paint, shape, and decoration exactly as in no. 8-1786. Vase somewhat better preserved.

Hearst Museum object titled Pitcher, accession number 8-1786, described as Etrusco-Corinthian oinochoe (pitcher), pink painted red, similar to 8-1785. Attributed to the Vulci Painter. Description from Matteucig (1951): Olpe; height: 33.5 cm; diameter: 16.5 cm (see Matteucig's plate XVI, 8). Italo-Corinthian. Clay pale buff; cream slip; brown-red paint. Round mouth with flaring lip; high neck with fillet at base; pyriform body on low solid foot; strap handle and rotelle. Entire vase, including about 4 cm inside mouth, except for the part under the handle and the reserved space between rays at the bottom, is painted brown red. On râtelle, a cross in cream paint; on neck, three dot rosettes; dots on fillet; on shoulder, just below fillet, incised tongue patterns; every fourth tongue has a cream stripe; the two end tongues, about 4 cm from the handle, are decorated with a vertical incised zigzag; on either side of handle, a cream painted scroll; tongue pattern between two cream bands. On the middle, between two other cream bands, four incised lotus palmettes with alternate petals filled by cream blots. Below this, a band of incised double semicircles, interlaced, with intervening spaces filled by cream dots; rising from the foot, a ray pattern. Paint badly faded or peeled off. Cf. Albizzati, PI. XVI, 179; Sieveking-Hackl, PI. XXVII, 634, 635 a; Langlotz, PL CCXXV, 777, a, b, c, d,; C.V.A., Copenhagen, fase. 2, pi. 95, no. 11; four exact parallels in the Museo Archeologico, Florence

Hearst Museum object titled Pitcher, accession number 8-1787, described as Etrusco-Corinthian pitcher, white; better preserved, similar to 8-1785. Attributed to the Vulci Painter. Description from Matteucig (1951): Olpe; height: 33 cm; diameter: 16 cm (see Matteucig's plate XVI, 9). Italo-Corinthian. Clay, paint, shape, and decoration exactly as in no. 8-1786. Vase somewhat better preserved.

Pitcher

1 of 2

Hearst Museum object titled Pitcher, accession number 8-1786, described as Etrusco-Corinthian oinochoe (pitcher), pink painted red, similar to 8-1785. Attributed to the Vulci Painter. Description from Matteucig (1951): Olpe; height: 33.5 cm; diameter: 16.5 cm (see Matteucig's plate XVI, 8). Italo-Corinthian. Clay pale buff; cream slip; brown-red paint. Round mouth with flaring lip; high neck with fillet at base; pyriform body on low solid foot; strap handle and rotelle. Entire vase, including about 4 cm inside mouth, except for the part under the handle and the reserved space between rays at the bottom, is painted brown red. On râtelle, a cross in cream paint; on neck, three dot rosettes; dots on fillet; on shoulder, just below fillet, incised tongue patterns; every fourth tongue has a cream stripe; the two end tongues, about 4 cm from the handle, are decorated with a vertical incised zigzag; on either side of handle, a cream painted scroll; tongue pattern between two cream bands. On the middle, between two other cream bands, four incised lotus palmettes with alternate petals filled by cream blots. Below this, a band of incised double semicircles, interlaced, with intervening spaces filled by cream dots; rising from the foot, a ray pattern. Paint badly faded or peeled off. Cf. Albizzati, PI. XVI, 179; Sieveking-Hackl, PI. XXVII, 634, 635 a; Langlotz, PL CCXXV, 777, a, b, c, d,; C.V.A., Copenhagen, fase. 2, pi. 95, no. 11; four exact parallels in the Museo Archeologico, Florence

Pitcher

2 of 2

Limit your search

Pitcher2 objects

Containers (receptacles)2 objects
Pitchers (vessels)2 objects
Vessels (containers)2 objects

archaeology2 objects

image2 objects
legacy documentation2 objects

Central Italy2 objects
Europe2 objects
Italy2 objects
Poggio Buco, Tuscany2 objects
Poggio Buco, Tuscany, Central Italy2 objects
Southern Europe2 objects
Tomb F, Poggio Buco, Tuscany2 objects
Tuscany, Central Italy2 objects

View distribution

Current results range from 1897 to 1897

Year collected range begin Year collected range end

Alfred Emerson2 objects

Phoebe Apperson Hearst2 objects

Ancient Greece2 objects
Classical Civilizations2 objects
Cultures in the Ancient Greek sphere of influence2 objects
Etruscan2 objects
Etruscan stylistic terms2 objects
Etrusco-Corinthian2 objects
Italic peopleRemove constraint Culture or time period: Italic people2 objects
Old World (Africa, Asia and Europe)2 objects

The Vulci PainterRemove constraint Maker or artist: The Vulci Painter2 objects

Ceramic (material)2 objects

Acc.1032 objects

View distribution

Current results range from 1902 to 1902

Accession year range begin Accession year range end

Proudly located at:

About
Events
Request A Research Visit
Descendant Communities
Policies, Services and Fees

Contact

103 Anthropology and Art Practice Building #3712 University of California, Berkeley Berkeley, CA 94720-3712

510-642-3682

Connect

© 2025 The Regents of the University of California, all rights reserved. Privacy Policy

Committed to accessibility and nondiscrimination.