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Start Over You searched for: Object name Jacket ✖ Remove constraint Object name: Jacket Culture or time period Guatemalan ✖ Remove constraint Culture or time period: Guatemalan

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Hearst Museum object titled Jacket, accession number 3-29952, described as Jacquard-loomed, plain weave; two-faced supp. weft brocading; 10 pieces joined by sewing machine with French seams; collar, bottom band, and sleeve cuffs are separate pieces; pockets lined with grey commercial cloth and jacket lined with black commercial cloth (acetate); cuffs, pockets and center front all have snap closures. Native name/meaning: Saco/Jacket. Materials, techniques: Cotton: singles in black (ground cloth) and multicolors (supp. weft brocading). Context of use: Donated by Brian Tapp in memory Rodolfo Alvarez Farfan. Lined completely in black commercial cloth (acetate) woven with a feather motif.. This waist length jacket is dominated by bright mutli-colored supp. weft brocading. It was probably created for the tourist market, as it is constructed much like American-style denim jackets, with front and back yokes, snap closures, multiple pockets and a wide flared collar. The outer pockets are lined with commercial plaid cloth at the breast line, while those at the hip line are lined with a commercial gray cloth.

Hearst Museum object titled Jacket, accession number 3-15611, described as Lounging jacket. Black background with five color design. Made to order for Dr. Hahn.

Hearst Museum object titled Jacket, accession number 3-15612, described as Lounging jacket; 5 colors on blue background

Hearst Museum object titled Jacket, accession number 3-15633, described as Cofrade costume jacket of black wool with polychrome embroidery trousers for 15632

Image Missing: Hearst Museum object titled Jacket, accession number 3-15632, described as Cofrade costume jacket of black wool with polychrome embroidery

Hearst Museum object titled Jacket, accession number 3-15652, described as Tailored white wool jacket with black braid trim

Hearst Museum object titled Jacket, accession number 3-29939, described as Treadle-loomed, warp-faced plain weave, nine pieces; all warps cut; three pieces commercial loomed woolen cloth; all pieces machine pieced. Native name and meaning: Saco, jacket; hombre, man's. Materials, techniques: Two and five cotton singles in predominately red, with some navy blue. Context of use: Collected by Linda Green in Guatemala in 1991. Jacket predominately cotton treadle loomed striped cloth, with commercially woven wool for collar, cuffs, and lapels. Lapels and collar decorate with white machine-stitched diamond pattern. Five outside pockets. jacket decorated around pockets, sleeves and down back with knit braid; braid also used to bind edges of jacket. Jacket is lined with navy blue commercial cloth, and has two inside pockets. This jacket is much more tailored than the one collected in the 1940's (see 3-29652), but does not have the older one's embroidered decorations. Two-button front closure with machine stitched front closure. Geometric and curvilinear iconography.

Hearst Museum object titled Jacket, accession number 3-29952, described as Jacquard-loomed, plain weave; two-faced supp. weft brocading; 10 pieces joined by sewing machine with French seams; collar, bottom band, and sleeve cuffs are separate pieces; pockets lined with grey commercial cloth and jacket lined with black commercial cloth (acetate); cuffs, pockets and center front all have snap closures. Native name/meaning: Saco/Jacket. Materials, techniques: Cotton: singles in black (ground cloth) and multicolors (supp. weft brocading). Context of use: Donated by Brian Tapp in memory Rodolfo Alvarez Farfan. Lined completely in black commercial cloth (acetate) woven with a feather motif.. This waist length jacket is dominated by bright mutli-colored supp. weft brocading. It was probably created for the tourist market, as it is constructed much like American-style denim jackets, with front and back yokes, snap closures, multiple pockets and a wide flared collar. The outer pockets are lined with commercial plaid cloth at the breast line, while those at the hip line are lined with a commercial gray cloth.

Jacket

1 of 7

Hearst Museum object titled Jacket, accession number 3-15611, described as Lounging jacket. Black background with five color design. Made to order for Dr. Hahn.

Jacket

2 of 7

Hearst Museum object titled Jacket, accession number 3-15612, described as Lounging jacket; 5 colors on blue background

Jacket

3 of 7

Hearst Museum object titled Jacket, accession number 3-15633, described as Cofrade costume jacket of black wool with polychrome embroidery trousers for 15632

Jacket

4 of 7

Jacket

5 of 7

Hearst Museum object titled Jacket, accession number 3-15652, described as Tailored white wool jacket with black braid trim

Jacket

6 of 7

Hearst Museum object titled Jacket, accession number 3-29939, described as Treadle-loomed, warp-faced plain weave, nine pieces; all warps cut; three pieces commercial loomed woolen cloth; all pieces machine pieced. Native name and meaning: Saco, jacket; hombre, man's. Materials, techniques: Two and five cotton singles in predominately red, with some navy blue. Context of use: Collected by Linda Green in Guatemala in 1991. Jacket predominately cotton treadle loomed striped cloth, with commercially woven wool for collar, cuffs, and lapels. Lapels and collar decorate with white machine-stitched diamond pattern. Five outside pockets. jacket decorated around pockets, sleeves and down back with knit braid; braid also used to bind edges of jacket. Jacket is lined with navy blue commercial cloth, and has two inside pockets. This jacket is much more tailored than the one collected in the 1940's (see 3-29652), but does not have the older one's embroidered decorations. Two-button front closure with machine stitched front closure. Geometric and curvilinear iconography.

Jacket

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JacketRemove constraint Object name: Jacket7 objects

Clothing7 objects
Jackets (short coats)7 objects
Main garments7 objects
Main garments for the upper body7 objects

ethnography7 objects

legacy documentation7 objects
image6 objects

Central America7 objects
Guatemala7 objects
The Americas7 objects
Quiché Department, Guatemala2 objects
Chichicastenango, Quiché, Guatemala1 objects
Nebaj, Quiché, Guatemala1 objects
Sololá Department, Guatemala1 objects

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Current results range from 1948 to 1948

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[Missing]6 objects

Leroy W. Hahn5 objects
Mrs. Leroy W. Hahn5 objects
Brian Tapp1 objects

Mrs. Leroy W. Hahn5 objects
Brian Tapp1 objects
Linda Green1 objects
University Appropriation1 objects

American cultures7 objects
GuatemalanRemove constraint Culture or time period: Guatemalan7 objects
Mesoamerican peoples7 objects

Acc.11865 objects
Acc.44971 objects
Acc.45031 objects

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Current results range from 1955 to 1955

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[Missing]2 objects

2.4 Fine Clothes and Accoutrements not used exclusively for status or religious purposes3 objects
2.1 Daily Garb2 objects
2.3 Special Ornaments, Garb, and Finery Worn to Battle by Warrior (excluding status insignia)2 objects
2.2 Personal Adornments and Accoutrements1 objects
5.7 Objects made for sale, souvenirs, models, and reproductions1 objects

S1972-1973 #21: U.C. San Diego Art Gallery (October 20, 1972–December 27, 1972)2 objects
S1993-1994 #4: Blackhawk Museums (August 31, 1993–March 16, 1994)2 objects

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