Skip to search Skip to main content Skip to first result

Hearst Museum Portal

About
Bookmarks 0
History
Feedback
Login

Search in

Advanced Search Give

Search

Search Constraints

Start Over You searched for: Culture or time period Etruscan stylistic terms ✖ Remove constraint Culture or time period: Etruscan stylistic terms

« Previous page | 1 -to 10 of 62 | Next page»

Object name Museum number

Number of results to display per page

10 per page 20 per page 50 per page 100 per page

View results as:

List view Gallery view Masonry view Slideshow view

Search Results

Image Missing: Hearst Museum object titled Alabastron, accession number 8-6683, described as Etrusco-Corinthian black-figure alabastron; put together from a few large pieces; dull buff clay; added red paint; two confronted sphinxes, with two Geese between them; a third goose below sphinx at 1; two more geese at back; incised rosettes in field; tongues on shoulder; rosette underneath; dots on rim and handle; tongues on mouth. Height 17.6 cm; diameter 9.5 cm.

Hearst Museum object titled Amphora, accession number 8-1866, described as Large Etrusco-Corinthian amphora, repaired. Attributed to the Monte Abatone Painter; ca. 630 BCE. Description from Matteucig (1951): Neck-amphora; height: 42 cm; diameter: 29.5 cm (see Matteucig's plate XX, 15). Italo-Corinthian. Clay white; cream slip; reddish-brown paint. Shape similar to no. 8-1863. Three deep incised lines on lip; neck solid brown, except for a line of cream dots at its base; on flat side of handles, linear decoration consisting of five narrow triangles set base to base between three parallel bands. The upper half of the body is solid red brown; lower half, in the color of the slip, except for three bands. On the middle, traces of three animals going right: a horse, a lion, and a deer. The animals are in the color of the background (red brown) with violet (?) and cream details. Their contours are traced with double in cised lines; between the double lines, cream dots. The horns of the deer, the mane and tail of horse and lion are outlined in the same technique, with additional incised zig zags. Traces of incised floral filling ornaments. The closest parallel I could find is from Poggio Volpaio, tomba a camera no. 6, excavation of 8-1893, a fragmentary amphora in the Museo Archeologico, Florence. For other amphorae, perhaps related to ours, cf. Not. Sc., 1924, p. 409, fig. 3, p. 410, fig. 4, from Tarquinia.

Hearst Museum object titled Amphora, accession number 8-1863, described as Etrusco-Corinthian amphora. Attributed to the Monte Abatone Painter; ca. 630 BCE. Description from Matteucig (1951): Amphora; height: 28.5 cm; diameter: 22 cm (see Matteucig's plate XIX, 19). Italo-Corinthian. Clay pinkish cream; cream slip; dark brown, red, and gray paint. High neck with thick curving lip; strap handles; squat ovoid body on low flat base. Inside mouth, for about 3 cm, brown band; three incised lines on lip; neck solid brown, with a line of cream dots just above fillet; on edges of handles, brown vertical stripes; on flat side of handles, at point of contact with lip and shoulder, three horizontal stripes; on shoulder, three groups of seven to ten tongues; below tongues, anar row red band, a reserved line, then a red and gray band; broad brown band with double incised, interlaced, semicircles; anar row gray band; a broader red one and a narrow reserved; another broad red band; broad reserved zone; bottom solid brown. Vase restored from several pieces; surface, scratched; paint peeling off. For similar examples, cf. Not. Sc., 1903, p. 272, fig. 5, from Pitigliano; J. Boehlau, Aus ionischen und italischen Nekropolen, Leipzig, 1898, p. 92, fig. 47; G. H. Karo, De arte vascularia, Bonn, 1896, p. 37, no. 3; Not. Sc., 1930, p. 129, fig. 16, from Tarquinia; Mingazzini, Pl. XXIII, 8.

Hearst Museum object titled Amphora, accession number 8-1955, described as Corinthian amphora, white.

Hearst Museum object titled Aryballos, accession number 8-1794, described as Etrusco-Corinthian aryballos, with tiny foot, similar to 8-1793. Description from Matteucig (1951): Aryballos; height; 10.4 cm; diameter; 5 cm; (see Matteucig's plate XVI, 15). Italo-Corinthian. Clay pale cream; reddish-cream slip; lustrous dark brown and violet paint. Pointed aryballos. On lip, petal pattern; on flat handle, three brown bands; one brown band at base of neck; on shoulder, brown tongue pattern; then three bands, brown, violet, brown; reserved zone with brown leaves; violet band; another reserved zone with brown leaves; three more bands, brown, violet, brown; reserved zone; three narrow brown bands; reserved zone; point and foot solid brown. Cf. Mingazzini, Pl. XXIX, 5.

Hearst Museum object titled Aryballos, accession number 8-1854, described as Etrusco-Corinthian aryballos buff, four geese. Description from Matteucig (1951): Aryballos; height: 7.1 cm; diameter: 6.3 cm (see Matteucig's plate XIX, 9). Italo-Corinthian. Clay, slip, and paint as in no. 1853. Round aryballos. On lip, three concentric circles; around edge of lip, brown dots; two stripes on flat handle; on shoulder, tongue pattern; on body, four geese going right; usual filling ornaments. Paint badly peeled off; about half the lip is broken. Cf. Albizzati, Pl. XIII, 150.

Hearst Museum object titled Aryballos, accession number 8-1795, described as Etrusco-Corinthian aryballos. Description from Matteucig (1951): Aryballos; height; 10 cm; diameter; 5 cm (see Matteucig's plate XVI, 16). Italo-Corinthian. Clay pink cream; cream slip; light brown and violet paint. Pointed aryballos. On lip, three bands, outer ones brown, middle one, violet; edge of lip, brown; on flat handle, three brown bands; brown band at base of neck; on shoulder, tongue pattern; below this, a series of five alternating brown and violet bands, divided by reserved spaces; a reserved space; two narrow brown bands; another reserved space; point and foot solid brown; three incised lines above foot. Cf. Peabody Museum, Cambridge, Mass., no. 40-4269.

Image Missing: Hearst Museum object titled Aryballos, accession number 8-1855, described as Etrusco-Corinthian aryballos, two geese, one owl. Description from Matteucig (1951): Aryballos; round aryballos, listed in Mancinelli's inventory and said to be similar to no. 8-1854. Missing from the Museum.

Hearst Museum object titled Aryballos, accession number 8-1853, described as Etrusco-Corinthian aryballos, double feline. Description from Matteucig (1951): Aryballos; height: 8 cm; diameter: 7.2 cm (see Matteucig's plate XIX, 8). Italo-Corinthian. Clay light cream, almost white; glossy cream slip; dark brown and violet paint. Round aryballos. On lip, a brown band; around edge of lip, brown dots; two stripes on flat handle; on shoulder, tongue pattern; on body, two panthers conjoined in head, and a duck; usual filling ornaments; details in red paint. Paint peeling off. Cf. Albizzati, Pl. XIII, 146; Critica d’Arte, I, 1935, fig. 23.

Hearst Museum object titled Aryballos, accession number 8-1791, described as Etrusco-Corinthian squat aryballos. Description from Matteucig (1951): Aryballos; height: 8.2 cm; diameter: 6.9 cm (see Matteucig's plate XVI, 10). Italo-Corinthian. Clay red dish cream; pale-cream slip; dark-brown paint. Round aryballos. On lip, three concentric circles; around edge of lip, a row of dots; two horizontal bands on flat handle; on shoulder, tongue pattern; then two lions conjoined in head between two bands; rosettes; behind lions there seems to have been a bird (duck), as shown by incised plumage. Most of the rosettes and filling ornaments have disappeared. Below lion's head, an eight-petal rosette of which only the center can be seen. Cf. Critica à'Arte, I, 1935, fig. 23.

Alabastron

1 of 62

Hearst Museum object titled Amphora, accession number 8-1866, described as Large Etrusco-Corinthian amphora, repaired. Attributed to the Monte Abatone Painter; ca. 630 BCE. Description from Matteucig (1951): Neck-amphora; height: 42 cm; diameter: 29.5 cm (see Matteucig's plate XX, 15). Italo-Corinthian. Clay white; cream slip; reddish-brown paint. Shape similar to no. 8-1863. Three deep incised lines on lip; neck solid brown, except for a line of cream dots at its base; on flat side of handles, linear decoration consisting of five narrow triangles set base to base between three parallel bands. The upper half of the body is solid red brown; lower half, in the color of the slip, except for three bands. On the middle, traces of three animals going right: a horse, a lion, and a deer. The animals are in the color of the background (red brown) with violet (?) and cream details. Their contours are traced with double in cised lines; between the double lines, cream dots. The horns of the deer, the mane and tail of horse and lion are outlined in the same technique, with additional incised zig zags. Traces of incised floral filling ornaments. The closest parallel I could find is from Poggio Volpaio, tomba a camera no. 6, excavation of 8-1893, a fragmentary amphora in the Museo Archeologico, Florence. For other amphorae, perhaps related to ours, cf. Not. Sc., 1924, p. 409, fig. 3, p. 410, fig. 4, from Tarquinia.

Amphora

2 of 62

Hearst Museum object titled Amphora, accession number 8-1863, described as Etrusco-Corinthian amphora. Attributed to the Monte Abatone Painter; ca. 630 BCE. Description from Matteucig (1951): Amphora; height: 28.5 cm; diameter: 22 cm (see Matteucig's plate XIX, 19). Italo-Corinthian. Clay pinkish cream; cream slip; dark brown, red, and gray paint. High neck with thick curving lip; strap handles; squat ovoid body on low flat base. Inside mouth, for about 3 cm, brown band; three incised lines on lip; neck solid brown, with a line of cream dots just above fillet; on edges of handles, brown vertical stripes; on flat side of handles, at point of contact with lip and shoulder, three horizontal stripes; on shoulder, three groups of seven to ten tongues; below tongues, anar row red band, a reserved line, then a red and gray band; broad brown band with double incised, interlaced, semicircles; anar row gray band; a broader red one and a narrow reserved; another broad red band; broad reserved zone; bottom solid brown. Vase restored from several pieces; surface, scratched; paint peeling off. For similar examples, cf. Not. Sc., 1903, p. 272, fig. 5, from Pitigliano; J. Boehlau, Aus ionischen und italischen Nekropolen, Leipzig, 1898, p. 92, fig. 47; G. H. Karo, De arte vascularia, Bonn, 1896, p. 37, no. 3; Not. Sc., 1930, p. 129, fig. 16, from Tarquinia; Mingazzini, Pl. XXIII, 8.

Amphora

3 of 62

Hearst Museum object titled Amphora, accession number 8-1955, described as Corinthian amphora, white.

Amphora

4 of 62

Hearst Museum object titled Aryballos, accession number 8-1794, described as Etrusco-Corinthian aryballos, with tiny foot, similar to 8-1793. Description from Matteucig (1951): Aryballos; height; 10.4 cm; diameter; 5 cm; (see Matteucig's plate XVI, 15). Italo-Corinthian. Clay pale cream; reddish-cream slip; lustrous dark brown and violet paint. Pointed aryballos. On lip, petal pattern; on flat handle, three brown bands; one brown band at base of neck; on shoulder, brown tongue pattern; then three bands, brown, violet, brown; reserved zone with brown leaves; violet band; another reserved zone with brown leaves; three more bands, brown, violet, brown; reserved zone; three narrow brown bands; reserved zone; point and foot solid brown. Cf. Mingazzini, Pl. XXIX, 5.

Aryballos

5 of 62

Hearst Museum object titled Aryballos, accession number 8-1854, described as Etrusco-Corinthian aryballos buff, four geese. Description from Matteucig (1951): Aryballos; height: 7.1 cm; diameter: 6.3 cm (see Matteucig's plate XIX, 9). Italo-Corinthian. Clay, slip, and paint as in no. 1853. Round aryballos. On lip, three concentric circles; around edge of lip, brown dots; two stripes on flat handle; on shoulder, tongue pattern; on body, four geese going right; usual filling ornaments. Paint badly peeled off; about half the lip is broken. Cf. Albizzati, Pl. XIII, 150.

Aryballos

6 of 62

Hearst Museum object titled Aryballos, accession number 8-1795, described as Etrusco-Corinthian aryballos. Description from Matteucig (1951): Aryballos; height; 10 cm; diameter; 5 cm (see Matteucig's plate XVI, 16). Italo-Corinthian. Clay pink cream; cream slip; light brown and violet paint. Pointed aryballos. On lip, three bands, outer ones brown, middle one, violet; edge of lip, brown; on flat handle, three brown bands; brown band at base of neck; on shoulder, tongue pattern; below this, a series of five alternating brown and violet bands, divided by reserved spaces; a reserved space; two narrow brown bands; another reserved space; point and foot solid brown; three incised lines above foot. Cf. Peabody Museum, Cambridge, Mass., no. 40-4269.

Aryballos

7 of 62

Aryballos

8 of 62

Hearst Museum object titled Aryballos, accession number 8-1853, described as Etrusco-Corinthian aryballos, double feline. Description from Matteucig (1951): Aryballos; height: 8 cm; diameter: 7.2 cm (see Matteucig's plate XIX, 8). Italo-Corinthian. Clay light cream, almost white; glossy cream slip; dark brown and violet paint. Round aryballos. On lip, a brown band; around edge of lip, brown dots; two stripes on flat handle; on shoulder, tongue pattern; on body, two panthers conjoined in head, and a duck; usual filling ornaments; details in red paint. Paint peeling off. Cf. Albizzati, Pl. XIII, 146; Critica d’Arte, I, 1935, fig. 23.

Aryballos

9 of 62

Hearst Museum object titled Aryballos, accession number 8-1791, described as Etrusco-Corinthian squat aryballos. Description from Matteucig (1951): Aryballos; height: 8.2 cm; diameter: 6.9 cm (see Matteucig's plate XVI, 10). Italo-Corinthian. Clay red dish cream; pale-cream slip; dark-brown paint. Round aryballos. On lip, three concentric circles; around edge of lip, a row of dots; two horizontal bands on flat handle; on shoulder, tongue pattern; then two lions conjoined in head between two bands; rosettes; behind lions there seems to have been a bird (duck), as shown by incised plumage. Most of the rosettes and filling ornaments have disappeared. Below lion's head, an eight-petal rosette of which only the center can be seen. Cf. Critica à'Arte, I, 1935, fig. 23.

Aryballos

10 of 62

Previous page
Next page
1
2
3
4
5
6
7

Limit your search

Skyphos9 objects
Aryballos8 objects
Oinochoe fragment7 objects
Pitcher7 objects
Oinochoe4 objects
Amphora3 objects
Bowl3 objects
Lekythos3 objects
Vessel fragment3 objects
Balsamary2 objects

more Object name »

Containers (receptacles)57 objects
Vessels (containers)30 objects
Containers for personal grooming and hygiene12 objects
Containers for personal use12 objects
Containers for serving and consuming food12 objects
Culinary containers12 objects
Vessels for serving and consuming food12 objects
Drinking vessels11 objects
Oinochoai11 objects
Aryballoi (Greek vessels)9 objects

more Object class »

archaeology62 objects

legacy documentation58 objects
image43 objects

Europe61 objects
Italy61 objects
Southern Europe61 objects
Central Italy59 objects
Tuscany, Central Italy39 objects
Poggio Buco, Tuscany36 objects
Poggio Buco, Tuscany, Central Italy36 objects
Tomb G, Poggio Buco, Tuscany23 objects
Orvieto, Umbria, Central Italy12 objects
Umbria, Central Italy12 objects

more Collection place »

View distribution

Current results range from 1896 to 1901

Year collected range begin Year collected range end

[Missing]23 objects

Alfred Emerson41 objects
Arthur L. Frothingham12 objects
Museo Preistorico Etnografico Luigi Pigorini5 objects
Norman Neuerburg2 objects
Darrell Arlynn Amyx1 objects

Phoebe Apperson Hearst52 objects
Museo Preistorico Etnografico Luigi Pigorini5 objects
Norman Neuerburg2 objects
Ouden Trust2 objects
Josepha Haveman1 objects
Russell S. Springer Memorial Fund1 objects

Ancient Greece62 objects
Classical Civilizations62 objects
Cultures in the Ancient Greek sphere of influence62 objects
Etruscan62 objects
Etruscan stylistic termsRemove constraint Culture or time period: Etruscan stylistic terms62 objects
Italic people62 objects
Old World (Africa, Asia and Europe)62 objects
Etrusco-Corinthian58 objects
Italo-Geometric3 objects
Ancient Greek chronology2 objects

more Culture or time period »

The Rosoni Painter6 objects
The Monte Abatone Painter2 objects
The Vulci Painter2 objects
Eugene R. Prince1 objects
J. Stanley Byrne1 objects
The Bearded Sphinx Painter1 objects
The Mingor Painter1 objects

Ceramic (material)53 objects
Acetate film1 objects
Plate glass1 objects

Etruscan Archaic Period (650–480 BC)1 objects
Etrusco-Corinthian1 objects
Greek Archaic Period (700–480 BC)1 objects

Acc.10336 objects
Acc.812 objects
Acc.10505 objects
Acc.504 objects
Acc.47272 objects
Acc.14231 objects
Acc.22151 objects

View distribution

Current results range from 1902 to 2002

Accession year range begin Accession year range end

[Missing]1 objects

S1957-1960 [XXX Wellington]: University Art Museum (UC Berkeley) (1957–1960)4 objects
S1963-1964 #67: Department of Art History (UC Berkeley)/Darrell Arlynn Amyx (March 3, 1964–June 19, 1964)3 objects
S1977-1978 #22: University Art Museum (UC Berkeley) (January 4, 1978–July 14, 1978)3 objects
S1979-1980 #14: Department of Classics, UC Davis/Lynn Roller (September 27, 1979–December 19, 1979)2 objects
S1995-1996 #7: San Joaquin County (September 20, 1995–November 16, 1995)2 objects
S1929: Los Angeles Natural History Museum (May 1929–1945)1 objects
S1978-1979 #20: University of California, Davis/Lynn Roller (October 3, 1978–December 5, 1978)1 objects
S1980-1981 #41: University of California, Davis (January 8, 1981–March 12, 1981)1 objects
S1981-1982 #34: University of California, Davis/Lynn Roller (January 7, 1982–March 26, 1982)1 objects
S1996-1997 #5c: University Art Museum (UC Berkeley) (November 4, 1996–April 17, 1997)1 objects

more Loans »

Proudly located at:

About
Events
Request A Research Visit
Descendant Communities
Policies, Services and Fees

Contact

103 Anthropology and Art Practice Building #3712 University of California, Berkeley Berkeley, CA 94720-3712

510-642-3682

Connect

© 2025 The Regents of the University of California, all rights reserved. Privacy Policy

Committed to accessibility and nondiscrimination.