Object class: Sound devices (equipment) / Collection place: Asia / Collector: Theos C. Bernard - Hearst Museum Portal Search Results

Start Over Object class Sound devices (equipment) Collection place Asia Collector Theos C. Bernard

Hearst Museum object titled Bell, accession number 9-21920a, no description available.

Hearst Museum object titled Bell, accession number 9-21903a, no description available.

Hearst Museum object titled Bell, accession number 9-22120, described as Bronze bell fashioned in the shape of a stupa.

Hearst Museum object titled Bowl gong, accession number 9-22081, described as Large bowl gong, of the type used in Japanese temples.

Hearst Museum object titled Broken ghanta bell, accession number 9-21903a,b, described as This is an old ghanta bell with a handle of gilded bronze. The bell is made of a five metal alloy to produce a rich, full sound. The bell is badly cracked and the upper part of the bell, below where the handle joins, is completely broken. The striker shows a pattern of wear associated with many years of constant use.The ghanta bell is used in most Tantric rituals. It is held in the left hand and the matched vajra is held in the right. The matching vajra to this ghanta is not present in the collection. It would match upper part of the ghanta handle. The ghanta embodies the feminine principle in Tantric usage, and the vajra is the masculine. The ghanta holds the principle of ultimate wisdom and the vajra, the principle of ultimate compassion and skillful means.Ghanta bells in this collection are numbers: T-23; T-63; T-66; T-67; & T-85

Hearst Museum object titled Cymbal, accession number 9-22068, described as T-206 & T-207 are one set of rolmo cymbals, also known as "bhookh." Together with regular cymbals (flat rather than hat-shaped) and long horns (gDung Chen--T-143 and T-144) they are played for ceremonial occasions at Tibetan monasteries, typically accompanied by bass drums. The hollow, hat-shape of these cymbals gives them the deep, stentorian sound valued in Tibetan sacred music. The rolmo cymbals are held horizontally, using the leather thongs, the upper one moved up and down to produce sound.

Hearst Museum object titled Cymbal, accession number 9-22069, described as T-206 & T-207 are one set of rolmo cymbals, also known as "bhookh." Together with regular cymbals (flat rather than hat-shaped) and long horns (gDung Chen--T-143 and T-144) they are played for ceremonial occasions at Tibetan monasteries, typically accompanied by bass drums. The hollow, hat-shape of these cymbals gives them the deep, stentorian sound valued in Tibetan sacred music. The rolmo cymbals are held horizontally, using the leather thongs, the upper one moved up and down to produce sound.

Hearst Museum object titled Damaru, accession number 9-22066, described as This is a damaru, a small hand-held drum used in ritual and meditation practices. It is held in the right hand and the wrist is rotated back and forth so that the turquoise strikers rapidly beat the two drum skins. At the same time, the ritual bell (ghanta) is often rung by the left hand. The most typical use of these is as a musical offering to whichever deities are being addressed in the ritual. See also T-159.

Hearst Museum object titled Damaru, accession number 9-22050, described as This is an elaborate version of the damaru T-158. Human skull bones are used for the body of the drum. The skin may be human. The damaru is a small hand-held drum used in ritual and meditation practices. It is held in the right hand and the wrist is rotated back and forth so that the turquoise strikers rapidly beat the two drum skins. At the same time, the ritual bell (ghanta) is often rung by the left hand. The most typical use of these is as a musical offering to whichever deities are being addressed in the ritual. See also T-158.