Object class: Baskets by technique / Collector: Joy Hilden / Culture or time period: Bedouin - Hearst Museum Portal Search Results

Start Over Object class Baskets by technique Collector Joy Hilden Culture or time period Bedouin

Hearst Museum object titled Bag, accession number 9-23713, described as A small bag, khurg. the other in the pair given to Helen Doty. Synthetic yarn plied by the weaver's family. Predominantly white with purple, green, red, orange, and blue. Body of bag has tooth and molar patterns and stripes. Flap weft-twined with panels in varying widths in solid and linear diamond patterns. Ends of panels and bottom of bag with 3/4" wide strips and tassels. Made by a 30 year old woman. Time taken to make is four days for plain weave part, five days for twining and tassels. Weft twined strips and tassels. Chevron embroidery side joins in blue and white. Loops on each side of opening 12" long weft-twined strip in blue and white check pattern, 7/8" wide. Made by a 32 year old woman who embroidered it; in thick yarn the name "Saif-Allah Al Jurayid" on front. Made for self or as gifts. Synthetic yarn. Warp-faced plain weave, weft twining. 14 EPI thread count per inch.

Hearst Museum object titled Camel ornament, accession number 9-23710, described as Camel ornament, malabbah. White, (cotton) red, orange, and black. A little green around diamond lozenges in weft twining. A series of braids and tassels hang from a 15" portion at center, where camel's front/chest would be. Outstanding feature of the piece is wasm design woven in. Wasm are from the Al Saud, the royal family. Basic wasm is a stick (matrak) with a circle on each side. Some of these wasm have a dot inside the circle. This is also a T wasm in the design. Ends are strongly sewn around sticks and bound with polyester print fabric. Nylon rope is attached to wool cording that was sewn in. Nylon rope, 30 " long, was to tie onto camel. End of weave was twined twice. Ends of weft twining are left as tufts on the selvage. Placed across chest and flanks of camel. May have been made on commission. Z-plied cotton, S-plied wool. Commercial dyes used. Warp-faced plain weave with weft twining. 14 EPI thread count per inch.

Hearst Museum object titled Camel ornament, accession number 9-23709, described as Camel ornament, ghurtha (mahgoobeh). Colors: black and red with orange, green, blue, and a little white. Decoration for camel, put on the rump. Large stuffed tassels, 3 at each end. Edges of weft-twined sections have blue and white wool over warps. Warp, goat hair: S-plied. sheeps wool, Z and S plied. Commercial dye. Warp-faced plain weave, weft twining. 8 EPI thread count per inch. Salesman said from Hasa, but Hilden thinks possibly Murah.

Hearst Museum object titled Chest ornament, accession number 9-23810, described as A neck and chest ornament, naid sar, of leather made of a pair of braided and twined tassels with lead bead ornaments. A string of glass and plastic beads is attached to both pieces of the pair at center chest. Each long tasseled ornament is made of two ropes, braided around a core, folded into a loop at the top end. The ropes are bound together tightly below the loop with circles of twining and lead beads, with beaded and tasseled strings hanging from that. Each of the ropes is bound similarly at midpoint, with white glass beads circling those bindings and more tassels at the ends. The bottom ends are decorated the same way as the middle ones. The ropes are fastened together loosely at the two decorative points with string. The two ropes are fastened together through the top loops with a 10" circle of blue electrical cord. Braiding and twining of leather strips circa 1/16 inch wide. Twining 11-12 EPI. Lead, plastic and glass beads, tassels.

Hearst Museum object titled Chest ornament, accession number 9-23813, described as A neck and chest ornament of leather, made of a pair of braided and twined tasseled ropes with lead and bead ornaments. Each long tasseled ornament is made of two ropes, braided around a cloth core, and folded in half to create loops with circlets of twining and lead beads, with leaded and tasseled string hanging from those. From here the ropes divide into twos, with twined and lead-beaded circlets on the four ropes at midpoint and lower end. Circlets of white glass beads decorate the tops and tassels hang from their ends. Each pair of ropes is fastened with string at the circlets, and at the tops of each of the middle and end circlets two sets of colored beads 9" long extends across the chest to corresponding tassel. The two decorated ropes are attached at the top loops by nylon net 12" long. Twining too closely covered by lead beads to determine thread count.

Hearst Museum object titled Coffee bean bag, accession number 9-23809, described as A knotted and braided coffee bean bag, mibin, of goat leather giving latticework effect with twined areas and lead bead decorations. Braided drawstrings, which passes through a series of braided loops, is broken and has two tassels at each end. Braided handle is 24" in length and has lead bead ring ornaments. The bottom has 2 finger-like appendages on either side of the main panel, 2.75" wide. All three are hollow and decorated with twining and lead beads in line and wave patterns. The ends are finished with curly leather tassels. A band of twining in the middle of the bag has lead beads worked into it in diamond patterns. Leather strips used are 1/8" - 1/16" wide. 9 EPI in twining, 6 EPI in knotted open area, approximately 15 rows per inch. Tassels on lead-beaded.

Hearst Museum object titled Cushion cover, accession number 9-23826a,b, described as saddlebag, khurj made into cushion covers lovely, almost pastel-colored bag, Faded condition, which was cut in half and used as cushion covers, 5 total. The inside reveals original bright colors. It is unusual because it appears to be made of linen or other bast fiber. The three panels of twined tapestry on the front of each bag are of wool, and their patterns are in triangles. The two bottom panels are 3" wide each and the top one is 1" wide. The background of the bag is plain weave. The tassels which hang from the twined panels are of more finely-spun linen than the rest of the bag. A hole in the middle, 7" long, is bound with the complex edging stitch Saudis call thras. The center of the bag are bound that way also, but the sides of the bags are joined with the chevron stitch. S-ply, commercial dye, 9-11 EPI. Plain weave with twined tapestry. Complex blanket stitch for edges; chevron stitch to join bag sides. Tassels decorate front of bag.

Hearst Museum object titled Cushion cover, accession number 9-23827a,b, described as Faded condition, the saddlebag, khurj, lovely, almost pastel-colored bag, which was cut in half and used as cushion covers, 5 total. The inside reveals original bright colors. It is unusual because it appears to be made of linen or other bast fiber. The three panels of twined tapestry on the front of each bag are of wool, and their patterns are in triangles. The two bottom panels are 3" wide each and the top one is 1" wide. The background of the bag is plain weave. The tassels which hang from the twined panels are of more finely-spun linen than the rest of the bag. A hole in the middle, 7" long, is bound with the complex edging stitch Saudis call thras. The center of the bag are bound that way also, but the sides of the bags are joined with the chevron stitch. S-ply, commercial dye, 9-11 EPI. Plain weave with twined tapestry. Complex blanket stitch for edges; chevron stitch to join bag sides. Tassels decorate front of bag.

Hearst Museum object titled Cushion cover, accession number 9-23802, described as saddlebag, khurj made into cushion covers lovely, almost pastel-colored bag, Faded condition, which was cut in half and used as cushion covers, 5 total. The inside reveals original bright colors. It is unusual because it appears to be made of linen or other bast fiber. The three panels of twined tapestry on the front of each bag are of wool, and their patterns are in triangles. The two bottom panels are 3" wide each and the top one is 1" wide. The background of the bag is plain weave. The tassels which hang from the twined panels are of more finely-spun linen than the rest of the bag. A hole in the middle, 7" long, is bound with the complex edging stitch Saudis call thras. The center of the bag are bound that way also, but the sides of the bags are joined with the chevron stitch. S-ply, commercial dye, 9-11 EPI. Plain weave with twined tapestry. Complex blanket stitch for edges; chevron stitch to join bag sides. Tassels decorate front of bag.

Hearst Museum object titled Cushion cover, accession number 9-23716, described as Set of four cushion covers, masnad. marked individually as a, b, c, d White cotton base, plain weave with weft-twined bands. 18"x28" one has 'weirjan bands on each selvage and mithkar in center panel. Except for this one, the others have narrower weft-twined bands on the back. Most of twined patterns are in triangles, some comb (misht) patterns. Sides sewn in ridged 2-color stitching. Smaller piece with chevron stitching. Tops all done with Thras binding stitch. Cushion covers stuffed with shredded foam when purchased. Warp-faced plain weave, some warp-faced with warp substitution, weft twining. Thread count per inch: 12 EPI in plain weave, small piece. 14 EPI in larger pieces. 14-16 pick per inch in twining. Wool S-ply. Cotton Z-ply.