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Start Over You searched for: Collector Albert M. Bender Remove constraint Collector: Albert M. Bender Culture or time period Japanese cultures Remove constraint Culture or time period: Japanese cultures Materials Wood (plant material) Remove constraint Materials: Wood (plant material)

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Image Missing: Hearst Museum object titled Container, netsuke and bead, accession number 9-12546, described as Inro, netsuke and ojime: Inro (a) is a lacquer box of 5 nesting sections. Top and bottom: side oval shape. Raised cord guides. Brown braided silk cord tied at bottom w/ double loop. Elaborate detailed depiction of a ferry full of various types of people, half portrayed on one side, continuous w/ other. 2 small boats beside it w/ men fishing. High seas. All portrayed by gold and silver sprinkles (maki-e) on black ground. Netsuke (b) is carved ivory representing a Buddhist angel (tennin) flying, holding lotus blossom. Scroll work and crosshatch textile patterns on the flowing robes. Hair and eyes painted black. Ojime (c) is a white ivory bead inlaid w/ mother of pearl, tortoise shell, coral and white shell depicting vines, butterfly and wisteria blossoms, W/ incised and painted detail. (a) The entire decoration of the exterior of the inro is made by the Togidashi technique w/ resultant flat, smooth surface. The gold powder is sprinkled over the wet lacquer design on the red base (e-rushi), in various densities and partical sizes to suit the design. An overcoat of black lacquer (kuro-urushi) is than [then] applied and ground down when dry to reveal the gold design, the black forming part of the design and the 'ground' for the metal particles. The boats, faces, and some of the clothing of the passengers are formed by very fine, dense sprinkling of gold powder, some of silver. Black detail. The waves are formed by lines of dense particles of gold, and a less dense, cloudy, uneven sprinkle between. (maki-bokashi). The top and bottom are plain, even dense covering of sprinkled gold (fundame). The surface is worn in places showing the red base. Many small dents, and scratches. The interior entirely decorated w/ nashiji ("pear ground"): coarse particles of gold sprinkled on wet lacquer; covered by black lacquer; ground and polished down and covered by a red tinted transparent lacquer. Cord is broken. (c) Two of the white-shell (?), inlaid leaves have fallen out and are missing. L. (a) 8.7cm.; (b) 4.5cm. Dia. (c) 2cm.
Hearst Museum object titled Netsuke, accession number 9-12530, described as Carving, cabinet pc.: Carved wood and ivory. Represents kneeling woman holding box on lap, and boy standing next to her, carved from same piece of wood. Ivory heads and hands. The box has a sliding top. Within is a blue stained piece of ivory. The ivory heads are smooth and simple; the hair of the woman is incised and painted black. Eyes painted black. Hand of boy is missing. Womans hands are flat and crude. The 'textile' designs are formed by simple groups of dots and lines. H. 4.5 cm.
Hearst Museum object titled Netsuke, accession number 9-12526, described as Carving (scoop?): Wood carving in shape of leaf, relief veins. Other side hollow. Stem forms loop (for cord?) Very light and thin. L. 11.8 cm.
Hearst Museum object titled Netsuke, accession number 9-12521, described as Carving (Cabinet piece): Wood carving representing seated badger (tanuki) in angular ittobori style. One paw is raised, the other rests on the smooth, large distended belly. The back, legs, and face are carved in the angular style. A few short, deep incised lines represent the fur. Elaborate signature on bottom. Cord hole through one fore leg. H. 5cm. Base Dia. 4.5  cm.
Hearst Museum object titled Netsuke, accession number 9-12527, described as Carving; Novelty carving (?); Carved wood rectangle w/ high relief carving on one side of fly, vine and leaves. Other side has two holes (for cord?). L. 2.3 cm.