Object class: Coiled weaving / Collector: Samuel A. Barrett / Accession number: Acc.294 - Hearst Museum Portal Search Results

Start Over Object class Coiled weaving Collector Samuel A. Barrett Accession number Acc.294

Hearst Museum object titled Acorn meal basket, accession number 1-11959, described as Globose coiled basket. Tag: "Yuki". Per Ralph Shanks: Coiled globose basket bowl. There are no abrasions or residue. The basket has a tight spiral coiled start with small hole in center, not pinhole start however. The starts wefts are unpeeled redbud. The coil foundation is three rod peeled shoots. The wefts are peeled redbud background with unpeeled redbud designs. The design is eleven horizontal one coil row wide bands of redbud. There are a few small random rectangles. The rim is plain wrapped; the rim coil ending is slightly tapered with five diagonal back stitches. The weft fag ends are concealed, with some clipped or tucked. The weft moving ends are primarily concealed with some tucked. The exterior of the basket has a few split stiches; the interior has more than 50% split stiches. The basket has an exterior workface, with a rightward work direction, and down to the right slant of weft twist. There is one hair woven into the basket. Note with basket in Larry Dawson's handwriting "Closure of lines line = ~ [about] 40A coil ending no dau marks". Per Ralph Shanks Dawson was looking for dau marks in this basket.

Hearst Museum object titled Acorn meal basket, accession number 1-11960, described as Globose coiled basket. Tag: "Yuki". Per Ralph Shanks: Coiled globose basket bowl. There are no abrasions or residue. The basket has a tight spiral coiled start with indentation and a small hole in the center, but not pinhole start however. The start's wefts have three rows of unpeeled redbud. The coil foundation is three rod peeled shoots. The wefts are peeled redbud background with unpeeled redbud designs. The design is diagonal lines with flags off the top and bottom of the lines, quail designs per informant. There are no random rectangles. The rim is plain wrapped; the rim coil ending is missing. The weft fag ends are primarily clipped. The weft moving ends are primarily concealed. The exterior of the basket has about 15% split stiches; the interior has over 90% split stiches. The basket has an exterior workface, with a rightward work direction, and various slant of weft twist. Based on the lack of random rectangles and Lizzie Chicken's background of being half-Yuki half-Wailaki this basket was woven in the style of Wailaki baskets.

Hearst Museum object titled Acorn meal basket, accession number 1-12038, described as Hemispherical coiled basket. Tags: "Yuki". Per Ralph Shanks: Flaring and rounded coiled basket bowl, used, with food residue. The wefts are closely spaced. The start is stitched over. The coil foundation is a mix of splints and rods. The wefts are peeled and unpeeled redbud. The rim is plain wrapped with an inch long herringbone ending. The designs are two coil wide horizontal bands with breaks in them, as well as random rectangles. The basket has an exterior workface, a rightward work direction, and the majority of wefts have a down to the right slant of weft twist. The weft fag ends are primarily concealed with some bound under. The weft moving ends are primarily concealed. The weft stitches are often split on the backface.

Hearst Museum object titled Basket, accession number 1-12064, described as Basket; coiled. Warp is Willow (Salix), weft is Redbud (Cercis occidentalis). Red pattern is Redbud. Very old coiled basket with three rod foundation.

Hearst Museum object titled Basket, accession number 1-12014, described as Basket; coiled. Warp is Dogwood, weft is Redbud sapwood. Red pattern is Redbud bark.

Hearst Museum object titled Basket, accession number 1-11979, described as Very old much worn hemispherical, parching basket. Two tags: "Yuki" Per Ralph Shanks: Coiled parching basket that has had broken bottom replaced with twined patch. The patch was stitched on with a possibly non- native material. The basket has food debris. The warps are rods and splints. The basket has peeled redbud background wefts and unpeeled redbud design wefts. The design is horizontal bands of unpeeled redbud. The rim is missing. The basket has an exterior workface. There are many split stitches on the backface. The weft fag ends are bound under, with the moving ends concealed. The basket has a rightward work direction and a down to the right slant of weft twist. The work direction, materials and techniques used in the basket are consistent with Yuki manufacture. The twined patch at the base of the basket is said to have been taken from an old Wailaki basket, per Samuel Barrett's informants. The patch is plain twined with an up to the right slant of weft twist. The wefts may be conifer root. The warps are peeled shoot.

Hearst Museum object titled Basket, accession number 1-12065, described as Basket; coiled. Warp and weft are Willow (Salix). Red pattern is Redbud (Cercis occidentalis). Single rod foundation.

Hearst Museum object titled Basket, accession number 1-12039, described as Hemispherical coiled basket. Originally had heavy hoop near its bottom.

Hearst Museum object titled Basket, accession number 1-11922, described as Old hemispherical. akmol = to parch; yocum = basket. Tag: "Yuki". Per Ralph Shanks: Coiled basket parcher. The basket has food residue and burns. The basket has a twined start. It has a repair at the bottom has a splint wrapped in it. The coil foundation is rod and splints. The background wefts are peeled redbud, and the weft designs are in unpeeled redbud. The design is horizontal bands with breaks. After the starting knot there are two coil rows that have unpeeled redbud wefts. The basket has many random rectangles. The rim is plain wrapped. The coil ending was cut off. The weft fag ends are mostly tucked, with some clipped. The weft moving ends are sometimes concealed, sometimes tucked. The workface has a few split stitches; the back face has a majority of split stitches. The basket has an exterior workface, with a rightward work direction, and primarily a down to the right slant of weft twist.

Hearst Museum object titled Basket, accession number 1-11937, described as A tightly coiled globose basket. One of the best of the Yuki baskets. Tag "Yuki". Per Ralph Shanks: Globular coiled gift basket. Some non-food residue is in the bottom interior. The basket has a pinhole-like start with a stitch over it, in unpeeled redbud. The coil foundation is made up of three peeled shoot rods. The wefts are peeled and unpeeled redbud designs. The design is similar to a flower design, with diagonal bands. Three are random rectangles. The rim is plain wrapped with peeled and unpeeled redbud. The rim coil ending is tapered and has five in line backstitches. The weft fag ends are concealed. The moving ends are concealed. The wefts are non-interlocking, 40% of the wefts are split on the interior and less than 10% are split on the exterior. The workface is on the exterior. The work direction is to the right with a down to the right slant of weft twist.

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