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Hearst Museum object titled Pigeon flute, accession number 9-9787, described as Pigeon flute; gourd with 8 bamboo pipes and black ink; bamboo tongue for tail ring; 15 cm. According to some writers, flutes were attached to message-carrying pigeons to frighten away hawks and eventually came to be used by pigeon fanciers to lure away another fancier’s pigeon or flock in order to increase their wealth and status. According to Berthold Laufer, the flutes were used for the aesthetic value of their music. Makers in this collection include: HUNG, CHUNG, KUEI, MING, PAN, SHIH-TZU (?), SHENG, LI.
Hearst Museum object titled Pigeon flute, accession number 9-9709, described as pigeon flute; 5 bamboo pipes with black ink; ivory tongue for tail ring; According to some writers, flutes were attached to message-carrying pigeons to frighten away hawks and eventually came to be used by pigeon fanciers to lure away another fancier’s pigeon or flock in order to increase their wealth and status.  According to Berthold Laufer, the flutes were used for the aesthetic value of their music.  Makers in this collection include: HUNG, CHUNG, KUEI, MING, PAN, SHIH-TZU (?), SHENG, LI. For additional information consult accession envelope.
Hearst Museum object titled Pigeon flute, accession number 9-9778, described as Pigeon flute; gourd with 4 bamboo pipes and light brown stain; bamboo tongue for tail ring; 15.7 cm. According to some writers, flutes were attached to message-carrying pigeons to frighten away hawks and eventually came to be used by pigeon fanciers to lure away another fancier’s pigeon or flock in order to increase their wealth and status. According to Berthold Laufer, the flutes were used for the aesthetic value of their music. Makers in this collection include: HUNG, CHUNG, KUEI, MING, PAN, SHIH-TZU (?), SHENG, LI.
Hearst Museum object titled Pigeon flute, accession number 9-9582, described as pigeon flute;gourd w/6 bamboo pipes;black;ivory tongue for tail ringht. 5.8 cm. L. 6 cm.
Hearst Museum object titled Pigeon flute, accession number 9-9731, described as pigeon flute; 5 bamboo pipes with dark brown stain; ivory tongue for tail ring; According to some writers, flutes were attached to message-carrying pigeons to frighten away hawks and eventually came to be used by pigeon fanciers to lure away another fancier’s pigeon or flock in order to increase their wealth and status.  According to Berthold Laufer, the flutes were used for the aesthetic value of their music.  Makers in this collection include: HUNG, CHUNG, KUEI, MING, PAN, SHIH-TZU (?), SHENG, LI. For additional information consult accession envelope.
Hearst Museum object titled Pigeon flute, accession number 9-9717, described as pigeon flute; 5 bamboo pipes with dark brown stain; ivory tongue for tail ring; According to some writers, flutes were attached to message-carrying pigeons to frighten away hawks and eventually came to be used by pigeon fanciers to lure away another fancier’s pigeon or flock in order to increase their wealth and status.  According to Berthold Laufer, the flutes were used for the aesthetic value of their music.  Makers in this collection include: HUNG, CHUNG, KUEI, MING, PAN, SHIH-TZU (?), SHENG, LI. For additional information consult accession envelope.
Hearst Museum object titled Pigeon flute, accession number 9-9765, described as Pigeon flute; gourd with 4 bamboo pipes and black ink; bamboo tongue for tail ring; 21.5 cm. According to some writers, flutes were attached to message-carrying pigeons to frighten away hawks and eventually came to be used by pigeon fanciers to lure away another fancier’s pigeon or flock in order to increase their wealth and status. According to Berthold Laufer, the flutes were used for the aesthetic value of their music. Makers in this collection include: HUNG, CHUNG, KUEI, MING, PAN, SHIH-TZU (?), SHENG, LI.
Hearst Museum object titled Pigeon flute, accession number 9-9770, described as Pigeon flute; gourd with 4 bamboo pipes and dark brown stain; bamboo tongue for tail ring; 15.5 cm. According to some writers, flutes were attached to message-carrying pigeons to frighten away hawks and eventually came to be used by pigeon fanciers to lure away another fancier’s pigeon or flock in order to increase their wealth and status. According to Berthold Laufer, the flutes were used for the aesthetic value of their music. Makers in this collection include: HUNG, CHUNG, KUEI, MING, PAN, SHIH-TZU (?), SHENG, LI.
Hearst Museum object titled Pigeon flute, accession number 9-9629, described as pigeon flute; gourd in shape of pig's head; 4 slotted bamboo openings; ivory tongue for tail ring; c. 15 cm.
Hearst Museum object titled Pigeon flute, accession number 9-9640, described as pigeon flute; 2 black bamboo pipes; dark brown stain; ht.5 cm., w.  4.2 cm. ivory tongue for tail ring; cut design on end of one pipe