Image Missing: Hearst Museum object titled Netsuke, accession number 9-7899, described as Netsuke: man standing. Right hand holds staff; left hand behind back holds string of beads. Frog at feet. According to the donor's catalog: "Netsuke, in ivory, of man resting with head on left shoulder - and the face, wise, weird and gentle. He carries an enchanter's staff - and a frog snuggles at his feet. Jiraiya - son of the lord of Ogata. At the death of his father, in the destruction of his castle- Jiraiya flew to Echigo which was the infested with robbers - Jiraiya's retainer was killed- and the boy joined the robbers - soon to become their chief. Hearing of the existence of a very rich old man, in proximity he set alone to rob him - but was caught by a storm and took refuge in a hat [untranscribable] by an old woman. In the night, he tried to murder her - but his sword broke in pieces and the woman appeared transformed into a man Sensei Hojen, who revealed himself as being the Toad Spirit and finally taught Jiraiya all the toad magic which gave him control of the group but had no effect on snakes. Later, he met a girl, whom a Sennen had addressed him marry, and to whom the Sage gave the secret of the magic of the snail to Jiraiya to kill a young dragon son of the serpent, who [untranscribable] at the bottom of the lake and was fomenting strife, between the two clans. At the country, one day when Jiraiya and the princess Togota (who was the affianced bride of the young dragon who had fled from him with Jiraiya) was resting in a temple, the serpent crawled upon the ceiling and poured its venom on the head of Jiraiya - carrying away with him - the Princess. however, the Abbath of the temple, who was equal in goodness to the [untranscribable] in the dragaon - sent to India on a tengu, his retainer - to fetch the inly available elixir, the man returned in time for (Jiraiya), to be saved and made Haimio of Odju. jiraiya is represented either slaying the serpent or being with his magical preparation - with the Toad Spirit, This story forms the theme of a popular play - [untranscribable] the rosary, which Jiraiya carries, behind his back - in reference to the episode of the Temple and the Good Abbat.