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Hearst Museum object titled Oinochoe, accession number 8-1848, described as Description from Matteucig (1951): Oinochoe; height: 12 cm; height to top of handle: 14 cm; diameter: 10 cm. (see Matteucig's plate XIX, 3). Italo-Corinthian. Clay white; light cream slip; light brown paint. Mouth, probably trefoil, broken off; low conical neck; squat ovoid body on low flat foot; strap handle. Mouth, brown; on top and at base of neck, a band; a wavy line in the middle; on shoul der three groups of tongue patterns (six tongues in each group); below this, a broad band; another narrow band; band around foot. Paint peeling off. Cf. Not. Sc., 1902, p. 497, fig. i a, no. 19.
Hearst Museum object titled Oinochoe, accession number 8-1788, described as Etrusco-Corinthian oinochoe (pitcher). Description from Matteucig (1951): Olpe; height: 17.8 cm; diameter: 10.5 cm (see Matteucig's plate XVI, 7). Italo-Corinthian. Clay pale buff; cream slip; brown-red paint. Round mouth; flaring lip; high neck with fillet at base; pyriform body on low solid foot; strap handle. Neck and outer part of handle covered with brownish-red paint; on shoulder, tongue pattern; on either side of handle, a cross ornament in cream paint; below this, two zones of double interlaced semicircles with intervening spaces filled by cream dots; above foot, three groups of seven tongues. Most of the paint peeled off; vase badly defaced by mud deposits. Cf. Montelius, pi. 209, no. 17, from Pitigliano; pi. 264, no. i, from Vulci; Robin son, Toronto Vases, PI. XIV, 197.
Hearst Museum object titled Oinochoe, accession number 8-1956, described as Italo-Geometric pitcher.
Hearst Museum object titled Olpe fragment, accession number 8-5759, described as Etrusco-Corinthian olpe fragment; attributed to the Bearded Sphinx Painter.
Hearst Museum object titled Pitcher, accession number 8-1741, described as Corinthian trefoil oinochoe (pitcher). Description from Matteucig (1951): Oinochoe; height: 25.8 cm; height, to top of handle: 29.3 cm; diameter: 20.5 cm (see Matteucig's plate XIII, 17). Italo-Corinthian. Clay light buff, well purified; cream slip; dark brown and violet paint. Oinochoe with trefoil mouth, low neck, and squat body as in Robinson, Toronto Vases, Pl. XV, 207. Decoration as in Albizzati, fasc. II, Pl. XVI, 155. Decoration very faint; paint peeling off.
Hearst Museum object titled Pitcher, accession number 8-1862, described as Etrusco-Corinthian oinochoe (pitcher). Description from Matteucig (1951): Olpe; height: 22 cm; diameter: 12 cm (see Matteucig's plate XIX, 17). Italo-Corinthian. Clay, slip, paint, and shape as in no. 8-1861. Decoration practically the same, but above foot, instead of the tongue pattern, there is a narrow brown band. Many cracks on vase; surface badly scratched; paint peeling off. Cf. Not. Sc., 1896, p. 275, fig. 13, from Poggio Buco; another parallel from Poggio Buco in the Museo Archeologico, Florence.
Hearst Museum object titled Pitcher, accession number 8-1787, described as Etrusco-Corinthian pitcher, white; better preserved, similar to 8-1785. Attributed to the Vulci Painter. Description from Matteucig (1951): Olpe; height: 33 cm; diameter: 16 cm (see Matteucig's plate XVI, 9). Italo-Corinthian. Clay, paint, shape, and decoration exactly as in no. 8-1786. Vase somewhat better preserved.
Hearst Museum object titled Pitcher, accession number 8-1786, described as Etrusco-Corinthian oinochoe (pitcher), pink painted red, similar to 8-1785. Attributed to the Vulci Painter. Description from Matteucig (1951): Olpe; height: 33.5 cm; diameter: 16.5 cm (see Matteucig's plate XVI, 8). Italo-Corinthian. Clay pale buff; cream slip; brown-red paint. Round mouth with flaring lip; high neck with fillet at base; pyriform body on low solid foot; strap handle and rotelle. Entire vase, including about 4 cm inside mouth, except for the part under the handle and the reserved space between rays at the bottom, is painted brown red. On râtelle, a cross in cream paint; on neck, three dot rosettes; dots on fillet; on shoulder, just below fillet, incised tongue patterns; every fourth tongue has a cream stripe; the two end tongues, about 4 cm from the handle, are decorated with a vertical incised zigzag; on either side of handle, a cream painted scroll; tongue pattern between two cream bands. On the middle, between two other cream bands, four incised lotus palmettes with alternate petals filled by cream blots. Below this, a band of incised double semicircles, interlaced, with intervening spaces filled by cream dots; rising from the foot, a ray pattern. Paint badly faded or peeled off. Cf. Albizzati, PI. XVI, 179; Sieveking-Hackl, PI. XXVII, 634, 635 a; Langlotz, PL CCXXV, 777, a, b, c, d,; C.V.A., Copenhagen, fase. 2, pi. 95, no. 11; four exact parallels in the Museo Archeologico, Florence
Hearst Museum object titled Pitcher, accession number 8-1874, described as Corinthian shape pitcher. Description from Matteucig (1951): Oinochoe; height: 29.5 cm; height to top of handle: 34 cm; diameter: 20.3 cm (see Matteucig's plate XX, 8). Italo-Corinthian. Clay light cream almost white. Shape and decoration like that of the vase in the University Museum, Philadelphia, reproduced in St. Etr., X, 1936, Pl. II, 4. About one-third of mouth chipped off; body restored from several fragments with much filling in gray cement. Another exact replica from Poggio Buco in the Museo Archeologico, Florence.
Hearst Museum object titled Pitcher, accession number 8-1860, described as Etrusco-Corinthian trefoil pitcher (or olpe). Attributed to the Rosoni Painter. Description from Matteucig (1951): Olpe; height: 32 cm; diameter: 14.5 cm (see Matteucig's plate XIX, 18). Italo-Corinthian. Clay pinkish cream; cream slip; dark-brown and violet paint. Round mouth; high neck; two-reeded handle with rotelle; fillet at base of neck; pyriform body on low flat foot. On rotelle, an incised line rosette; for about 5.5 cm in side mouth, brown paint; neck and outer part of handle, solid brown; four animal triezes: (1) two geese going right; in front of each, a nine-petal rosette; (2) two panthers going right; body in profile, heads full face; rosettes and dots; (3) in the center, a big thirteen-petal rosette: two ducks facing it; to the right a panther (?), and a ten-petal rosette; to the left another rosette faced by a duck; (4) ducks, alternating with rosettes. At bottom, four groups of tongue patterns; six tongues in every group. Vase restored from several fragments; good deal of modern filling in cream clay. Animal friezes and fill ing ornaments very poorly preserved. Cf. Montelius, pl. 209, no. 20from Pitigliano, and pl. 211, no. 14, from Poggio Buco; Not. Sc., 1898, p. 442, fig. 7, from Poggio Buco; St. Etr., IX, 1935, Pl. V, 4, 5, from Heba; Albizzati, Pl. XIII, 130; Beazley-Magi, p. 74, nos. 84,85; Rosone style.

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