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Hearst Museum object titled Dress, accession number 7-5612, described as Pegnoir, sheer with strips of lace and all-over heavy couched embroidery, white-on-white flowers, full length, high waist, open front, 4 pearl buttons in front for decoration, elbow-length sleeves with deep ruffle, deep ruffle around hem, ca. 155.5cm in length
Hearst Museum object titled Dress, accession number 7-5613, described as Dress, sheer with strips of lace and white on white embroidery, full length, long sleeves with buttons at wrist, buttons down front two just below waist, small tucks down front and around skirt at waist, flounce around hem, dripping in back, 142cm in length Sheer linen, cotton lace, cotton embroidery note: Belonged to mother-in-law, Mrs. Max Senior
Hearst Museum object titled Lace, accession number 7-5610, described as Lace picture with scene and central medallion with 1 male and 1 female figure in classic style, surrounded by elaborate floral motifs. Cream colored cotton. 97x99cm. Florentine style copied from a piece in Vatican Museum on commission by Max Senior. Cotton lace made with Pointe de Venice
Hearst Museum object titled Lace, accession number 7-5611, described as Altarpiece, linen insets surrounded by lace in floral and animal motifs, white or cream, lace edging. 10 x 175cm
Hearst Museum object titled Shawl, accession number 9-9531, described as Shawl, silk, aqua varicolored floral embroidery and 2 identical scenes with people, deep knotted fringe
Hearst Museum object titled Tray, accession number 9-10847, described as tray, round; brass with repousse designs; central desing composed of animals and animal-faced humans within circles; circular procession of animals inside rim; undulating rim on fluted sides; tray; attribution by R. Gallagher, Legion of Honor who suggested that it was made by Moslem craftsmen in imitation of motifs on ancient pottery, e.g. Trialeti site, the Caucasus